Zombie Apocalypse

 Anyone notice that Urban Wildland was on hiatus for a while?...Thought not.


Notwithstanding your lack of attention, I will explain. For the last ten weeks I have been co-teaching an on-line course with my pal Will Reed at the Viridis Graduate Institute – a feisty start-up focused on eco-psychology helmed by Lori Pye, a lecturer in Environmental Studies at UCSB and part of the core faculty at Pacifica Graduate Institute.

As the sun moves ever south and its rays are spread lower and wider we have emerged, here in Upper Ojai, from the thrall of summer, but on this Thanksgiving day it is expected to reach into the high 80’s before we sit down to our mid-afternoon feasts. Someone, no doubt, will mutter something about global warming as we gorge on the seasonal turkey and pie.

Will and I were guilty of a great deal of muttering over the duration of our course, Re-designing Ecosystems: Cities and Communities, and it is conceivable that one or other of us may have mentioned the fact that our climate has warmed about one degree centigrade since 1860 and that this can reasonably be attributed to the 500 billion tons of Co2 Civilization has dumped into the atmosphere since we got serious about burning fossil fuels. Will, or I, may even have noted that this may increase to one trillion tons by mid-century and that by the end of the century the planet will likely have experienced a further average rise in temperature of 2 or 3 degrees centigrade.

Let me tell you, we tried hard to be neither sanctimonious nor alarmist (the one, hand-maiden to the other) – but if you think about the prospects for ‘sustainability’ (which was the un-spoken subtext of our course) with any amount of seriousness for even ten weeks, you will begin to think some very dark thoughts.

In the middle of spinning tales of doom - our Decameron – I flew to San Antonio. From the very back seat of a Bombardier CR1900, flying at an altitude of 30,000 feet, the badlands of West Texas appeared white-threaded with tracks and the sinuous black line of some tributary to the Rio Grande – or perhaps the great border river itself - lay like a loose strand of some mad-woman’s knitting on the land. Parallel tracks of an interstate headed for a group of buildings where deep pools of shade cast by irrigated trees foxed the unrelenting beige of desert. Most striking were the festoon of white lines that laced together rectangular patches of intaglio, white against brown. Branching chaotically, the mess appeared as though snow-white Christmas lights had been strewn across the land, perhaps by that same woman whose single strand of discarded wool it was we had flown over minutes before. Here, I knew, nodding donkeys lapped from deep beneath the desert crust where, in the Permian Basin, stew metamorphosed plants and animals from the Cretaceous – Texas Oil!

I was staying at the Grand Hyatt, eighteen stories of standard convention hotel with glassy condos above, in San Antonio’s down town -right across from a tired urban mall anchored by Macy’s and just a block and a half from the Alamo - on my way far beyond the traditional oil fields of the Permian Basin in West Texas, to the new frontier of the Eagle Ford Shale, deep in the south of the state. Cotulla, the county seat of La Salle County had once, it seemed, been a charming, if faded, Western cattle town. There are the remnants of its old main street with store-fronts right out of The Last Picture Show, but the action is now on Interstate 35, the great NAFTA highway that slices through the heart of the country from Duluth Minnesota to Laredo on the Mexican border. It also serves as the conduit between San Antonio and the oil fields of the Eagle Ford shale. Close to Cotulla, on I-35, are sixteen hotels with another seven under construction. Walmart and H-E-B, the giant Texas supermarket chain, are on their way.

Away from the highway, the mesquite brush that covers the South Texas plains (fire suppression has allowed the thorny trees to predominate the once more open savannah) is widely punctuated with two or three acre plots where hydraulically fractured wells pump oil from the narrow stratum of the Eagle Ford shale formation that lies between 7,000 and 14,000 feet below. Petrohawk Energy developed the first frac’ed well in 2008 and now over two hundred operators are involved in this ‘play’ with 268 drilling rigs active as of the week before Thanksgiving.

We began our on-line course with a recounting of the transition from the Paleolithic mega-fauna hunters of the last ice age to the hunter-gatherers of the Neolithic and onwards to what Jared Diamond calls the worst mistake in human-history – the development of agriculture. He suggests that,

“the adoption of agriculture, supposedly our most decisive step toward a better life, was in many ways a catastrophe from which we have never recovered. With agriculture came the gross social and sexual inequality, the disease and despotism that curse our existence”.

David Korten (The Great Turning, From Empire to Earth Community, 2006) takes up this theme by characterizing the last 6,000 years as a male-dominated, exploitative social pathology he calls Empire - in contrast to early hunting-gatherer settlements that were marked by the worship of female deities, egalitarianism and a profound lack of separation between human consciousness and the universal energies of the natural world, which he calls Earth Communities.

Will and I were both determined that before there was any consideration of “Re-designing….Cities and Communities” our students gain a thorough understanding of the impact of human activities on the world’s eco-systems over the last 10,000 years. Our primary ally in this endeavor was my old stand-by, Clive Ponting’s A New Green History of the World, 2007 (No Soft Landing). Ponting is blunt in his assessment, suggesting that since the end of the last ice age humanity has undertaken “the rape of the world”.

As we were developing the course outline, I read The Derrick Jensen Reader, 2012, and was tempted to make it one of the assigned texts, but ultimately decided against it. Jensen picks up where Edward Abbey (The Monkey Wrench Gang, 1975) left off and promotes active opposition to what he calls the death culture of industrial capitalism whereby the living planet is turned into dead ‘products’. On reflection, it was the right decision, but it now seems to me that a discussion of Jensen’s work, specifically Endgame, volumes I and II, 2006, would make an appropriate coda to our course.

Jensen suggests that Civilization is inherently un-sustainable and it is immoral to stand idly by as the world burns. He suggests that we act as enablers of the serial abuse of the planet unless we actively oppose Civilization, which, in its various iterations for at least six millennia, is founded on that abusive relationship.

The rape of South Texas is being undertaken deep below the earth where nine inch oil casing pipe runs horizontally for up to a mile and a half in each direction from the well head in multiples of six lines, 300 feet apart. Each of these lines has been perforated by frac’ing guns prior to the injection of thousands of gallons of water and sand that simultaneously open up and prop veins in the tightly packed shale which then, for as long as three decades, bleed oil into the pipe. It is an operation of bewildering complexity, technological sophistication and ruthless efficiency. It represents a stellar achievement of a Civilization, that for the last two hundred and fifty years, has been super-charged by the energy extracted from fossil fuels.

Beneath the mesquite brush, where white-tailed deer, javelinas and quail are still hunted (and stray bullets occasionally whine across the oil-well pads) this ‘play’ represents the last throes, perhaps, of a global oil industry in which North America has increased its production in the exact amount of the declines in other oil-producing countries.

Miraculously, this country’s Co2 emissions have been reduced by 4% (back to levels not seen since 1993) due to the rate of new natural gas-fired power plants coming on-line and conversion of old coal burning plants – all due to the downwards pressure on natural gas prices exerted by increased production from fractured wells.

Last time I checked, a gallon of gas was below three bucks – due to Saudi Arabia’s turning up the spigots in an attempt to drive marginal producers out of business. Ain’t working in South Texas, where the shale ‘play’ is viable down to $50 a barrel.

Like Zombies, amidst good news and bad, we continue to lurch towards the Apocalypse.

Good Vibrations

It was only ten years prior to the publication of Francis Hitching’s seminal text, Earth Magic, that radio-carbon dating was fully accepted within the archaeological community. The first American edition of the book was published in 1977. I own a copy with a pristine dust-jacket that I happened upon recently at that excellent addition to Ojai’s community of retail establishments, Book Ends. I first came across (and then devoured) the book in paperback in Australia in 1978 or 1979. My relationship to carbon-dating, to the extent that it has ever been established, began in 2007 when I began volunteering at UCLA’s Native American Rock Art Archive which is housed in the Cotsen Institute of Archaeology.

So, we have the publication of a book, my reading of it; my rediscovery of said work thirty five years or so later (and my re-reading of it) and the attendant birthing and maturity of a dating technique that arguably has revolutionized Archaeology – along with my incidental exposure to that revolutionized academic discipline starting some seven years ago.

What does all that add up to? Well, in my personal history quite a lot, but as a writer, I believe I am charged with a generalized responsibility to make matters of personal import of some wider interest to my imagined and occasionally real audience. It is a reflection of my perversity that I believe that what interests me in the narrow ambit of my home in the chaparral will resonate, when crafted into a blend of my own sensory and intellectual experiences, with the select few…..

In January of 1977 I began an undergraduate degree in Architecture at the University of Sydney, New South Wales, Australia. In my second year of studies I discovered my mentors: Dr. Terry Purcell, a psychologist who taught a much derided course in man-environment studies, and Marr Grounds, an environmental artist who had somehow found employment, in those more liberal days, as a lecturer in design. These two academic outsiders, neither architects, guided me through what ended up being a hugely formative experience in which I discovered an interest in the primal qualities of the Australian landscape and landscape in general - interests which ended up completely dominating my antipodean education.

It was against this backdrop that I picked up Earth Magic in the University book store and in reading it I connected back to my childhood in the English countryside and my adolescent interest in the occult, the practice of which, in its literary re-telling, usually involved settings of ancient mystery and foreboding –ruined abbeys, stone circles, lonely moors and the like. I was readily susceptible to the genre’s facile production of chills and tingling spines. Looking back, I can re-frame the appeal in terms of an interest in making contact with a universal energy – which, it was implied in the books that I read, possessed the bi-polarity of good and evil.

I continue to be fascinated with the apparent tributaries of etheric energy which adepts, both ancient and modern, have found ways to channel to their purposes. In Earth Magic, which details the endeavors of megalithic man to focus and amplify these energies by building a system of stone nodes and nexuses, I understood an archaeological aspect to my childish proclivity. Although this was well before Bruce Chatwin had written The Songlines (1987), I also possessed a generalized awareness, sharpened by Marr Grounds who, in his environmental art-making, worked extensively with aboriginals still pursuing a traditional life in the Northern Territories, that I was living in a country where there existed primitive lines of force that had once bound together a far-flung and never large population of sentient beings. I vaguely understood that I was living, at that moment, at the tail end of two centuries that had seen the almost complete destruction of an elaborate human exegesis of primal forces that is the aboriginal culture of Australia, developed over perhaps 50,000 years.

Now, lurking at the fringes of the chaparral wilderness, amidst strewn boulders hailed down from the Topatopas in some fracturing event of the Pleistocene, I wonder whether the rock marks made by California’s earliest people were an attempt at a lithic ordering that privileged some stones over others. Within the antic geology of the land, they might thus have recorded the same lines of force that intrigued megalithic man and the Australian aborigine which, in the ritual and physical marking of such networks, bound their societies.

Within the discipline of Archaeology, the study of peoples who failed to create significant artifacts beyond their language and belief-culture is of a limited appeal. If you have any interest in advancing your career you will not stay long in the ghetto of American Indian cultures. At UCLA‘s Cotsen Institute there are five full professors of Near Eastern Languages and Cultures and not one in North American Languages and Culture. Within that ghetto, Rock Art represents the darkest, most underfunded and ill-regarded neighborhood. Jo Anne Van Tilburg, who directs the Rock Art Archive, has not ascended beyond Research Associate despite holding the prestigious post of Director of the Easter Island Statue Project where the excavations at Rano Raraku, the primary moai quarry, are her life’s work. David Whiteley, perhaps the most renowned archaeologist currently studying the rock art of Californian Indians has no academic affiliation whatsoever. Similarly, until very recently, those who study the works of megalithic man have also been side-lined. What that means is that the field is overrun, instead, with odd-balls, amateurs and speculative historians. Fine company.

Ironically, the general popularity of these areas of archaeology has never been higher, as evidenced in the last week or so by the blanket coverage, from National Geographic to the Daily Mail of the new discoveries at Stonehenge in Wiltshire, England. The work, by archaeologists from Birmingham and Bradford Universities and the Ludwig Boltzmann Institute in Vienna has also been awarded the ultimate middlebrow accolade of a two-part documentary series on BBC-2, titled Operation Stonehenge: What Lies Beneath.

I do not know whether this title is the BBC’s homage to the Hermetic notion that the microcosmos reflects the macrocomos, but the new information appears to solidify the monument’s significance as a major ritual center that is likely linked, in ley line alignments, to other such centers like Avebury and beyond, perhaps as far North as the massive Neolithic temple complex at the Ness of Brodgar in the Orkneys (recently uncovered using the same ground-penetrating radar used at Stonehenge).

The incised rock art of Californian Indians has been dated back to somewhere beyond 15,000 years ago using a controversial dating system developed by the geomorphologist Ron Dorn. Known as  cation-ratio dating, the method uses the leach rate of elements from the desert varnish (accumulated atmospheric debris) which covers the rock motifs, to deduce their age. Carbon dating, as the name suggests, is only useful where there are organic elements such as bone or charcoal which are adjacent to and, by implication, of a similar age as the artifact under study. There are very few examples of rock art panels conveniently buried under such material. The imprecision of dating pictographs may go some way to explaining the disfavor in which they languish in the academic world. These artifacts exist in an uncomfortable zone where neither accurate dating nor any certainty of meaning or signification is possible.

Megaliths were sometimes placed over burials, and therefore capable of being accurately dated but inspired amateurs such as Francis Hitching remain free to speculate on matters of signification. He argues that the major monuments of megalithic man which, like Stonehenge, are dated to between four and five thousand years ago (and continued in use beyond the beginnings of the Christian era), were concrete realizations of both astronomical abstractions and subterranean electro-magnetic currents. Both notions are broadly supported by scientific evidence.

In the 10,000 years prior to the great age of megaliths, Paelolithic humans had, it seems, been mostly focused on representing hunting totems. Similarly, the oldest rock art in North America attempts the representation of mega-fauna such as long-extinct camelids. While that tradition continued with drawings of, for instance, big horn sheep, well into the historic period there is also a coherent tradition of abstract symbols that appear to tie in with the geomantic and astronomical concerns of the makers of stone circles, dolmens and standing stones. In southern California, there are several instances of solstice alignments in caves and ridge notches as well as incised spirals and concentric circles that likely reference energy vortices.

In Ojai-speak, we might consider these ancient glyphs as denoting currents of rhythmic life-energy. The notion is in common currency - Conde Naste Traveler magazine references Ojai’s “famous magnetic vortex", and Ojai’s “storied electromagnetic forces” in a recent article about the appeal of the area. The Chumash preferred painting to pecking rock and their surviving designs clearly reference astronomical events. But is it possible that the vigor of the life force that runs through these valleys left no need for lithic amplification or painted signification? That the local good vibrations could be exalted in a kind of heedless hedonism whereas in the gloom of Europe, for instance, heroic effort needed to be expended in the production and tracing of a feeble charge -  a quavering echo of the universal life force which courses so strongly through Ojai?

The Scream of a Hawk

The Acourtia (A. microcephala) which bloomed spectacularly (in mauve) this year continues to enthrall in its autumnal guise of golden tobacco leaves and clouds of white seed heads. It is featured along the local trails and on patches of broken ground, where pale green golden bush seemingly cowers in its shadow. Soap plant is reduced to a brittle skeleton and the peonies are now little cabbage-like clusters of straw-colored stalks and leaves. Vinegar weed and snowy patches of Turkey mullein remain vigorous and the amazing tarweed is still, in places, in bloom (fulfilling its purpose, perhaps, as Keats’ “late flowers for the bees”).

Milk weed has recently ventured forth. Buckwheat seed-heads continue to rust into ever darker shades. Sprays of wand buckwheat (Eriogonum elongatum) splay elegantly: their single white flowers tinged with pink at the end of each chalky node.

Deeper in the chaparral all is quiet – it awaits its spring with the first rainfall of October and November. Its flamboyance is at an end: the strident ginger seed of chamise now oxidized to a shadowy brown; the brilliant red of poison oak moderated to a dull ruby. The grey-green leaves of ceanothus, mountain mahogany and scrub oak stoic against the withering desiccation of late summer.

It is, of course, as the poet noted back in the old country, the “Season of mists and mellow fruitfulness”. Our section of valley, between the Topatopa foothills and the Sulphur Mountain ridge, is at the confluence of the rivers of fog that drift in around dawn, east from the lower valley and west from Santa Paula. I watch in the early morning as they comingle due south and below me,  a soft collision of vaporous light in the still almost dark.

But enough about me: the wild in me and the wilderness out there are one, at least on occasion; sometimes, I am my terrain. We are twinned. Marx was explicit on the matter “Men can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive”. More recently, Wendell Berry examines these connections in Preserving Wilderness, an essay from his collection, Home Economics, 1987:

“We breathe and our hearts beat and we survive as a species because we are wild. To be divided against nature, against wilderness, then, is a human disaster because it is to be divided against ourselves”.

Harmony, he suggests, can only be achieved when there is a dialog between culture and nature and this has to be achieved locally. In a viable accommodation between us (the made, or nurtured) and our implacable environment (our biological context, or nature) is the planet’s salvation. He writes,

“We cannot intend our good without intending the good of our place – which means ultimately the good of the world”.

A product of parents who privileged a white collar over blue (my father was, for most of his adult life, an insurance clerk, my mother a typist) and an education that after primary (or grade) school - where village nature-walks were a key feature of the curriculum - was focused on classroom work, I am not by proclivity or training an outdoorsman.

Despite the protestations of Robert Macfarlane, England remains a place remarkably lacking in wilderness (The Wild Places, 2007). Deforested, initially by the Romans, the countryside has been groomed - grazed, tilled and hedged - for at least a thousand years. Ecosystems have been constructed that serve human culture rather than, in Mowat’s phrase, the call of the wild.

Growing up in darkest Surrey, there was an easy engagement with this manicured nature: hedgerows were teeming with birds, mammals, trees and shrubs that over time had adapted to an environment that despite specifically serving the needs of landowners also enriched the lives of all who encountered them; fields glistened with freshly turned soil or glowed in the pale sunshine with ripened wheat while ancient oaks, yews and chestnuts stood sentinel in churchyards, village greens and gardens. The domestication of the English landscape is its most striking characteristic. It is telling that Macfarlane finds most of his ‘Wild Places’ not in England but in what we used to call the Celtic fringe, Ireland, Scotland and Wales.

In our neck of the woods, ‘commons’ remained - scrub ground left after the enclosure movement aggregated all the worthwhile agricultural land - but you could walk across these bracken and gorse lands and arrive at a country ‘B’ road in, at most, an hour: along this metaled hedge-rowed canyon there would shortly appear cottages, a pub and a few shops signifying a gentle transition to the fine web of village, market town and city that lays across the country and establishes the dominance, in this tiny island, of human culture. Wilderness skills were irrelevant. The back yard could be tamed with a push-mower, a pair of clippers, fork and spade; woods and coppices traversed along ancient bridle paths; commons walked over on well-worn tracks; rivers and streams followed along their tidy banks of willow and wild flowers.

Here, in America we are, mostly metaphorically, but at the wildland urban interface, often literally, still engaged with the frontier – the stain of uncontrolled nature, the wilderness that threatens to engulf us. Here, there are intrepid cadres of outdoorsmen and women ready to broach the wild, backpacked and provisioned ready to encounter both themselves and the other, their primal twin.

I am not one of that tribe. I lurk at the fringes.

My friend Will has just embarked on a solo two week high altitude circuit of the eastern Sierras. He will be in his element, communing, as they say, with nature - living out of a well-equipped, advanced technology backpack that is the product of a world entirely antithetical to the experience he seeks. My son Will, took a similar trip a few years back despite a notable lack of encouragement or example from his then very urban parents.

Having made the move to Ojai we are now wilderness adjacent but being close to State Highway 150 we remain linked to the vast network of freeways and surface streets that vein Southern California and thus we continue to be in the great circulatory system of the Empire, still swimming instinctively in the plasma of late capitalism.

Likewise, Thoreau’s cabin was not in wilderness but at the edge of town, about two miles from his family home. Walden Pond lay in a wood – scarcely a wilderness - comfortably within walking distance of Concord and within earshot of the then new Fitchburg railway. Thus he immersed himself, not in wilderness, but in the urban wildland. The railroad was a symbol of modernity (and the antithesis to any notion of a classical wilderness) which served as his link to a world of trade and finance, of industrial capitalism, that he mostly disparaged. As he notes,

“The Fitchburg Railroad touches the pond about a hundred rods south of where I dwell. I usually go to the village along its causeway, and am, as it were, related to society by this link. The men on the freight trains, who go over the whole length of the road, bow to me as to an old acquaintance, they pass me so often, and apparently they take me for an employee; and so I am. I too would fain be a track-repairer somewhere in the orbit of the earth……”

The line ran then and now between Fitchburg, north and west of Boston via Concord to North Station in the City: it was a visible symbol of Thoreau’s enmeshment in the skein of village, town and city that characterized southern New Hampshire and northern Massachusetts - and in this regard, at least, made its regional name of New England entirely appropriate.

Thoreau writes,” I am refreshed and expanded when the freight train rattles past me”. Oh that I could share in his equanimity as I hear, of a weekend, the barbaric snorting of Harley Davidsons as they snake up and down the 150 below us in the valley where, in the early morning, the fog swirls in confluence.

I hate Harley Davidsons. They serve not as transport but as crude affectations - machismo appendages that befoul the air and viscerally curdle my soul. I hate the Neanderthals that ride them. I hate the regalia which symbolizes their crippled and contradictory world view: the outlaw faithfully making payments on his (or her) heinous machine while conflating his or her right to terrorize fellow road-users, and others in ear-shot, with the genuine freedoms of the Republic. If not quite "the unspeakable in pursuit of the inedible" (as Wilde spoke of the fox-hunting fraternity) they are most certainly the emasculated in vain pursuit of their virility.

That said (and yes, I feel better for it), they represent a sonic connection to an urban world in the same way that the locomotive served Thoreau. While he, patently the better man, sublimates the whistle of said iron horse as “the scream of a hawk sailing over some farmer’s yard” and likened the rattle of railroad cars to “the beat of a partridge” I cannot get past my blind hatred. Not usually lost for metaphor or simile, I am stuck in some primitive non-verbal place where my lizard brain is firing synapses at will and blanketing my higher thought processes with hot-lead.

But here, in Upper Ojai, despite the occasional aural assault, nestled beneath the Toptopas, "I too would fain be a track-repairer somewhere in the orbit of the earth" - a writer setting the planet to rights: for it is here, on the margins, in a liminal space that is, as Nietzsche said of Turin, "the first place where I am possible...."

Tip-toe Through the Killing Fields

On a warm August evening a super-moon had just risen above Sulphur Mountain and the grey and golden grasslands of Happy Valley were framed by the silhouette of the distant Nordhoff range (softened in the gloaming); the Topatopa bluffs (which glowed faintly with the day’s last remaining light) and Sulphur Mountain’s oaks (massed into a dimpled, darkling terrain). Cleared of their native oaks, then later cleared of serried ranks of European walnuts (grafted onto native root-stock), the grasslands now conjured, over their 400 odd acres, a faded pastoral idyll.

 The place resonated: and it was into the unearthly timbre of this dream-like landscape that the audience was pitched as we left the Zalk theater after a stunning performance by Chankethya Chey, late of the Royal Ballet of Cambodia.

Now resident in the United States (after earning a degree in choreography at UCLA) she appeared as a part of the Ojai Playwrights Conference having work-shopped her piece, My Mother and I with a director and a dramaturge. Over the course of the evening it became clear that the notion of her mother included her birth parent, her dance master (a woman) and her Country. All four dramatis personae survived the rape and murder of the failed Khmer social revolution (and its aftermath) and Kethya’s attempted reckoning is communicated through the stylized gestural language of the Royal Ballet overlain with antic influences of modern and urban dance.

Released into the heady rapture of that summer’s eve, my thoughts immediately turned to the miracle we had witnessed: a classical art-form, preserved and re-energized, that had somehow survived Pol Pot’s program of cultural genocide. The ironies unfolded more slowly.

As Eric Hobsbawm details in The Age of Extremes, A History of the World, 1914-1991, the Khmer Rouge were part of a tide of Marxist-Leninist-Maoist revolutions that swept Africa and Asia in the 1970’s. The U.S defeat in Indochina reinforced the advance of communism and socialist regimes were established in all of Vietnam, Laos and Cambodia. He notes that in the latter case, under the leadership of Pol Pot, there arose “a particularly murderous combination of Paris café Maoism…and the armed backwoods peasantry bent on destroying the degenerate civilization of the cities”.

Pol Pot’s attempt to root out the effete cultural traits of urban intellectual life had a horrendous impact on such institutions as the Royal Ballet where, of the 190 ballet corps and principals, only forty survived. More generally, of Cambodia’s estimated 380,000 artists and intellectuals, just three hundred, by some counts, escaped the genocide. Removed from power after the Vietnamese invasion in 1979, the Khmer Rouge, under Chinese and American patronage, lived on in camps along the Thai border and remained a force in Cambodian politics - their flag flew in New York City, as sanctioned representatives of their country to the U.N. - until 1993. Kethya was born in 1985.

Mythology (as limned on the carved surfaces of the great tenth century temple and palace complex of Angkor Wat) attributes the beginnings of Cambodia’s dance tradition to a time when warring gods and demons churned the cosmic ocean, and celestial dancers called apsaras emerged from the froth (Brian Siebert, NYT). In Angkorian culture the human manifestations of these mystical beings became handmaidens to the court of the Empire (802-1431).

Most of the great monuments of the ancient and medieval worlds were built using forced labor. In the twentieth century, the Soviet and Chinese gulags, along with the labor camps of Nazi Germany, supplied much of the human energy required to create massive infrastructure projects. The great temple and palace monuments of Angkor Wat were similarly built by conscripted peasant labor and slaves captured from neighboring territories.

The complex has come to symbolize the country but it also represents the millennium of impoverished serfdom suffered by Cambodia’s peasants up until the declaration of the Republic in 1975. In a fiercely hierarchical society, court dance served the divine aspirations of the ruling family: as a State sponsored cultural expression, an aspect of its mission was to shore up the spurious mystical foundations of princely privilege. It was this privilege, along with the support provided by an urban, educated and cultured upper-middle class, that Pol Pot set out to destroy.

The almost-annihilation of Cambodian classical dance was a profound example of the collateral damage he inflicted on the country’s traditional arts: and it was the ghost of an apsara, nurtured in centuries of aristocratic co-option, that danced with Kethya that balmy August evening, remaining haughtily composed despite the alien influences of the globalized dance stylings with which Kethya surrounded her.

It is, perhaps, a matter for debate as to the extent to which the oppressed can authentically use the tools of an oppressor in their attempted overthrow. Or, as with Kethya, use a language of oppression to critique the history of a revolutionary force intent on that language’s destruction. It’s complicated. But certainly not lacking in irony.

Here in the United States we are long removed from our killing fields and long indoctrinated to ignore their dark shadow. The last vestige of Native resistance to the implacable forces of American imperialism was acted out in dance. As I suggested in Hoop Dreams, the development of the Ghost Dance, a mash-up of the Plains Indian round-dance, spiritual revivalism, end-times prophecy, trance states and incitement to destroy the white race was, as much as anything, a loose aggregation of stress symptoms. The movement originated in areas of profound spiritual and geographic dislocation - the Indian Reservations - where the survivors of the holocaust lived lives that were a macabre caricature of their authentic nomadic being.

James Mooney (1861-1921) was a self-taught ethnographer with the Bureau of American Ethnology from 1885 to 1921. His most notable work was in the study of the Ghost Dance. In 1894 he made a series of recordings of songs associated with the movement. Amidst the scratch and hiss of the recordings, a late nineteenth century American brogue is discernible droning Native American incantations - for these are his renderings of the anthemic Indian chants.

The Ghost Dance was once and forever ended with the killing of Sitting Bull at the Wounded Knee Massacre in 1890. His are renderings after the fact. He sings in remembrance - in the voice of the oppressor.

In whose voice does Chankethya Chey speak?

Epithalamium (Wedding Song)

Does it mean anything that the buckwheat blossoms have turned the color of dried blood? Or, that the tarweed is thicker than I have ever seen it and is even, in places, out-competing mustard? Or, that vinegar weed (Trichostema lanceolatum) is thick on the cattle pasture just to the east of the giant gorge that splits the old County property at the top of Koenigstein (now owned by the Rainwaters)?

Is there such a thing as a vegetative portent? Is there a mechanism by which the universal mind, human consciousness and plant ecology melds into an oracular medium? Is there, in other words, a payoff in prescience to the attention I lavish on such things?

There are, I suspect, rational reasons for the fact that the mauve Acourtia (A. microcephala) was particularly spectacular this year while the inky, native peony blossoms failed to impress and perhaps, sound meteorological cause for the other extraordinary ecological phenomena referenced above.

But being of a quasi-mystical or poetic frame of mind I want more: I want transcendence – I seek the realm beyond the quotidian. The lives of Ventura’s indigenous people, and perhaps of all the tribes of the Americas, were ruled by portents, signs and omens - the divination of which was entrusted to only the most powerful members of society. Hence the secret society of astronomers (and, I speculate, floromancers and botanomancers), known as the ‘Antap, ruled Chumash society by virtue of their occult knowledge - the prescience granted to them by the stars, flowers and plants.

So, while there is, perhaps, a pre-historical precedent to the notion that the irruption, color and idiosyncratic shape of plant material have meaning beyond the intrinsic ecological circumstances of their being, these days I simply relish the powerful ability of the flowers and shrubs in the chaparral to thrill me aesthetically while reserving the right, as it were, to believe that there are shadowy messages being projected onto the cave wall of my consciousness that I am too obtuse to understand.

Of one thing I am certain: there is a brooding solemnity in the California shrublands on even the sunniest of days. So much portent (of unrevealed import); so much occluded meaning, so many flitting shadows in an incomprehensible chiaroscuro of figure and ground, can be burdensome. A few days in Brooklyn, where the arboreal and floral arrangements that intermittently decorate these brick, stone and concrete lands are clearly empty of all but the most spurious signification, comes as a relief. It is here that I can take the measure of the urban, secure in the knowledge that these once wildlands have been almost totally stripped of their adumbrations.

Back in the day (and here I speak of, say, twelve thousand years ago), the broken lands of Breukelen, were the final resting place, in this part of America, for the great ice floes that had inched down from the north pole during the most recent Ice Age (humanity’s great surge forward being entirely predicated on our occupying a brief, interstitial warm period before the next big freeze inexorably engulfs the planet) and the mild topographical features of the City reflect the dying energy of these gelid earth-movers.

Left, was a littoral riddled with tidal creeks that flowed through swampy marshlands and meadows amidst the pleasant rises now named Vinegar, Cobble, Boerum and Clinton. I am staying in Bococa – which embraces Boerum Hill, Cobble Hill and Carroll Gardens where the Gowanus Canal, the remnant of the many tentacled creek that once bore into the heart of Brookland Parish, lies fetid, a superfund site awaiting reclamation.

There are splinters of waste land that run between canal and the back yard defenses of industrial plants rendered in horizontally laid, graffitied, corrugated roofing, chain link and razor wire. Where once were manufactured gas plants, mills, tanneries, foundries and chemical plants now sit mostly derelict, nineteenth and early twentieth century buildings on brown fields of inestimable value - the mighty industrial city transformed into both a dormitory suburb and a reflection of the finance, advertising, media, real estate, drinking, dining, entertainment and retail power of Manhattan: the marshy lowlands of hardwood groves, grasses, sedges, reeds and forbs reduced to mere slivers - the unaccounted, commercially inconsequential lands between the engineered canal and the platted land; between the brown fields and the glistening, infuscated waters.

But here lies the once and future past: the biotic memory of the last ten thousand years awaiting its recall; and these waste lands spoke to me of their dreams; or, perhaps I dreamt that they spoke. These weedy patches of ground do indeed function as a vegetative portent, amplified by the desperation of their marginalization - whispering of a different future.

In a grey Brooklyn dawn, the morning after son Will’s wedding to Ellen Cantrell, Manhattan loomed across the river, its sky-scrapers wreathed in a light rain: Gehry’s Spruce Street condo tower standing slightly apart, creased like a wrung-out dish towel.

Brooklyn Bridge Park runs along a mile and a half of a defunct cargo shipping and storage facility, the long fingers of the wharves still reaching into the East River, their pier sheds left intact, and wooden piles rising out of the river. It is a park (designed by Michael Van Valkenburgh) that achieves much by doing little. The greenscape is serviceable, providing pleasant havens for city dwellers but invoking almost no wildland frisson. Cleared of cranes and, of course, ships, the park offers unobstructed views across the water. South of the park, in the still functioning Brooklyn docks, beyond Redhook, is the Gowanus estuary.

The 3rd Street draw bridge over the canal was completed in 1905, a time when there was a reasonable expectation that commercial shipping would require clear passage. Today, intrepid kayakers can comfortably pass under the closed bridge and although thoroughly restored in 1985, activation of the bridge’s opening mechanism awaits the dredging equipment which will be necessary to remove and capsulize the heavy metal sludge that sits at the canal’s bottom - a terminally toxic impediment to the revitalization of the waterway as a viable ecosystem,

Meanwhile, alongside the bridge abutments, in caged waste-lands, sugar maple, beech and birch saplings wait patiently. Underneath them, rushes, reeds and invasive grasses constitute a weedy ground cover where Queen Anne’s lace blooms prolifically.

On wedding’s eve, with cumulus building overhead, I gathered armfuls of this filigreed non-native invasive and used it to decorate the tables at Frankies Spuntino, the restaurant where Will and Ellen’s rehearsal dinner was to be held that evening. Locally grown, sustainably foraged (I walked), it stood in for the lush green and cream roses that I had previously eyed at Union Market on Court Street.

The spirit of Gowanus, sachem (head man) of the local Lenape tribe called the Canarsee, would have approved (I hope) of this deeply pragmatic act of choosing the lesser evil: non-native Queen Anne’s lace from his eponymous canal verge over roses from Colombia or Ecuador, where they are grown in large production greenhouses, harvested, sorted, and flown 3,000 odd miles to Brooklyn.

The dried blood of buckwheat blossoms presaged, it now seems, the old brick of Brooklyn: the off-white of fresh blooming California everlasting (that old reliable) was a pre-echo of the blossoming Queen Anne’s lace. Our future worlds are pre-figured by our local environments. Pay attention, be present: portent and circumstance may become fluid and the tyranny of time and space collapse into a delirium of consciousness.

The confluence of a man and a woman, bound by marriage, is similarly mutable.

Place-World

“Attachments to places may be nothing less than profound”, Keith H. Basso writes in Wisdom Sits in Places, his short monograph on landscape and language among the Western Apache, University of New Mexico Press, 1996. But, as he also notes, our attachment to places remains enigmatic.

I arrived to live in Ojai with my family almost six years ago. We lived in town, on Blanche Street, while our house in Upper Ojai was being built. In May of 2009, we moved into our new residence which was quite deliberately set at the wildland urban interface – the place we were about to call home. A year later I began this blog at least partly because I wanted to both record and nurture my attachment to this particular ecotone: as I had hoped, it has become a way to construct my surroundings, to create bonds to a particular locality and to engage in the process of place-making.

But as followers of this blog will know, I have pursued a parallel bonding experience directly with the land itself – primarily in attempting the restoration of the disturbed areas of our site. My guide in this endeavor has been our neighbor Margot Griswold, a professional landscape restoration ecologist. Under her tutelage, I remain, in keeping with my English heritage, an enthusiastic amateur. We are both engaged in weeding out non-natives on our respective sites and share notes on our battles with mustard, tocalote (Centaurea melitensis) and the noxious star-thistle. I think we are both resigned to the continued existence of erodium (now, after a few warm weeks, fried to a crisp and crunchy underfoot!) and each give a pass to many of the introduced grasses.

At the same time I have tried to locate our property - within the axis that runs between Santa Paula and Ojai; within Ojai’s economic cultural and spiritual sphere of influence and both to the wilderness at its back (Los Padres National Forest) and the Pacific coast to the west. Temporally, I have set the moment of the area’s first human settlement as a baseline in which to situate the land, and have attempted, in these posts, to establish a resonance with its earlier, native inhabitants and a dissonance with their cruel European conquerors (but with whom I accept a modicum of complicity).

Occasionally, there have been notes from abroad, but always now with a firm sense of home, of an anchoring to our house, its site and surrounding landscapes. Edith Wharton, a writer of breathtaking psychological acuity, writes in her 1905 tear-jerker, the ironically titled House Of Mirth, of her heroine’s lack of this geographical grounding, feeling (at the moment of her final peril) “the sense of being swept like a stray uprooted growth down the heedless current of the years”; and, “the feeling of being rootless and ephemeral, mere spindrift of the whirling surface of existence, without anything to which the poor tentacles of self could cling….”; of having

“grown up without any one spot on earth being dearer to her than another: there was no center of early pieties, of grave endearing traditions, to which her heart could revert and from which it could draw strength for itself and tenderness for others…”.

Wharton piles on in this vein for another paragraph or two, eerily echoing a sense of the moral and spiritual sustenance that connects the Western Apache to their homelands, me to the Topatopa foothills, and all of those favored portions of humanity who have a notion of domestic locus (of home), but that is tragically absent from her heroine’s background.

Place-making is best practiced in one’s youth, but it is a skill, perhaps, that can also remain with us into our dotage. It is, after all, an activity that is embedded in time. Places do not represent unchanging realities. Indeed, the act of paying special attention to a “spot on earth” dearer than others reveals that said spot is in constant flux. To coin a cliché, we never step into the same place twice. As Basso writes, “we may perceive a place afresh, but it resonates with our past knowledge of it”. Place-making involves multiple acts of remembering and imagining that inform each other: it is thus both a discursive and a recursive activity that mostly occurs, in our culture, unconsciously.

By contrast, the Western Apache go to great pains to weave their storied places into a moral universe – to establish ‘grave endearing traditions’ to which they can look for support and guidance. The names they give to these special places, which are often topographically precise, such as Line of White Rocks Extends Up and Out; Whiteness Spreads Out Descending to Water or A Red Ridge with Alder Trees, have tales of human folly, wisdom, grief or happiness (for instance) associated with them and the names become a kind of short-hand for behavioral guidance, especially for the young.

The process of establishing ‘what happened here’, of recording the minutiae of human activity within a limited geographical area, of fabricating a local history has been one of my goals in producing the almost two hundred posts (198…and counting) that make up Urban Wildland. I make no claims, however, for their general usefulness in terms of moral guidance: but given that I privilege my own experiences in telling my tales, they are effective in elaborating a convincing place-world which I  use as a touchstone of my personal psycho-geographic space, or, more prosaically, of my neighborhood and home. Others, meanwhile, may find interest in the baroque tessellations of this fabrication.

Last evening, I continued weeding the north facing slope which acts as an abutment to the portion of Koenigstein Road which was re-routed, a dozen years ago, to short-cut the hairpin meander traveled by the old County road as it skirted one of the more lively seasonal tributaries to Bear Creek. The crimp in this hairpin (the old road still sits in the landscape and is now a part of our property) is marked by Peruvian peppers emerging from the gulch on each side of the road as the stream passes beneath it in a corrugated steel culvert. The two sides of the hairpin splay southward towards the base of this road-triangle formed by the new short-cut. Within it, is a wedge of land along which the stream winds before disappearing into another culvert that passes deep beneath the new road. Block this second culvert and a wet winter would produce a fine pond. The whole construct is warped and there is a twist in the planar surface of the abutment. I know, I get awfully close to its surface as I extract star thistle, tocalote and mustard.

I have just described a place. For five years now, I have weeded that slope and progress –measured by the reduction in non-natives - is slow. But where once was a solid tangle of star-thistle the herbage is now leavened with tarweed, an occasional clump of bunch-grass and a few bushes of Baccharis pilularis (Coyote brush).

By building data about particular local areas, by establishing an experience of them in some informal way, by writing or telling stories for instance, there is a slow accretion of particularity which is at the heart of place-making. I am privileged to be surrounded by chaparral hills, streams and oak meadowlands. I have created places in them, places where time and space have fused in an idiosyncratic personal history. I have worked in these places in ways that enliven my present through their evident reverberations of the past.

Basso writes,

"….for Indians, the past lies embedded in the features of the earth – in canyons and lakes, mountains and arroyos, rocks and vacant fields – which together endow their lives with multiple forms of significance that reach into their lives and shape the ways they think”.

I aspire to this condition.

The Children's Crusade

The planet is in the final stages of a mass migration of humanity that was initiated in the mid-seventeenth century. After eons of civilizations based on highly circumscribed agricultural settlements where, for the most part, generations lived and died in geographical stasis, Europeans discovered the New World and then the Antipodes - lands that could be turned to more intensive farming methods and produce substantial new wealth (at the incidental cost of eradicating their native peoples).

Within a hundred years, however, the industrial revolution began to establish the city, for those without substantial land-holdings, as a more reliable source of income. From that point on, millions of people began to be swept up in a global diaspora where the goal was to exchange rural poverty for urban poverty. Now, in the twenty-first century, we are experiencing the final stages in this almost total urbanization of the Earth. People have been, and continue to be, both pushed out of the countryside by the establishment of large scale mechanized farming - that leaves little room for peasant agriculture - and pulled into the city by the lure of a higher standard of living.

In Arrival City, 2010, Doug Saunders documents the role that favelas (self-built shanty towns), squatter enclaves and urban-slums play in succoring the newly arrived, predominantly peasant, populations. In his historical review, he notes that “between 1800 and the First World War, about 50 million Europeans left the continent permanently for a new home…twenty percent of Europeans moved to the Americas, Australia or South Africa”. Half of these migrants ended up in the United States and settled in major cities like New York, Chicago or Toronto. This country, with the Statue of Liberty as its symbol of welcome became, to millions of Northern, then Southern and Eastern Europeans, Arrival Nation. Here, from often squalid urban beginnings, migrants could begin their transformation into the galley-slaves of consumerism – the Great American Middle Class.

Charles Hirschman argues that as the country became successively less anglo-centric (or WASP), it was the children of Eastern and Southern European immigrants, predominantly Catholic or Jewish, who helped pave the way for the New Deal of the 1930s, the Great Society of the 1960s, and the 1965 Immigration Act – political circumstances that would eventually lead to a wave of immigration from Asia and Latin America. Now, as the country heads toward a non-white majority by 2043, it is these new migrants that are poised to change, again, the domestic political balance.

Meanwhile, increased border security, including the infamous wall (where technologies are shared with Israel) has had the unintended consequence of preventing Mexican and Central Americans from returning to their home countries - and thus encouraging them to become permanent settlers in the U.S. The fence is more effective at keeping ‘illegals’ in the country than keeping them out - by raising the difficulty level of entry and denying migrants the easy opportunity of return. For a country founded on immigration, the United States has signally failed to uphold that tradition of welcome and refuge towards their southern neighbors.

Now, a Children’s Crusade is massing on the border established by the Treaty of Guadalupe-Hidalgo in 1848. Like its original, eight hundred years ago, this new crusade is founded on a combination of hope, delusion and tragedy.

Early in 1212, a twelve year old French shepherd boy named Stephen, inspired by a heavenly visitation, began a crusade to win back the Holy Land from infidel Muslims. By the end of June, according to contemporary reports, this child-preacher had gathered 30,000 children at Vendôme, in central France, where they all began their march towards the Mediterranean port city of Marseille. Although many died along the way, the crusade eventually arrived and here, Stephen had prophesied, the seas would part and they could continue their journey on foot; but there was to be no divine work of geo-engineering and the children accepted the offer of two merchants, Hugh the Iron and William the Pig, to transport them across the Mediterranean on their fleet of ships.

Nothing more was heard of them until 1230, when a priest returning from the Middle East told their sorry tale of ship-wreck, enslavement, martyrdom for refusing to accept Islam and, for a lucky few, employment with the governor of Alexandria. (A History of the Crusades, Steven Runciman, 1951).

Ian Gordon reports in the July/August edition of Mother Jones, that 70,000 children, many no older than Stephen the boy-preacher, will arrive unaccompanied at the border this year. Prey to drug-traffickers, sexual predation and physical assault, these children are part of a surge in child-migration fostered by tales of sympathetic treatment by immigration officials, burgeoning drug-violence in their home districts, the underlying surge of the rural poor in search of material advancement in first-world cities, and most prosaically, hunger: Gordon notes that “the cost of tortillas has doubled as corn prices have skyrocketed due to increased American ethanol production and the conversion of farmland to sugarcane and oil palm for biofuel”.

They arrive from Mexico and Central America's Northern Triangle—Guatemala, Honduras, and El Salvador, hoping to send remittances back home or join a parent no longer able to visit them. While Mexican nationals, whatever their age are turned back immediately (to try again) children from non-contiguous countries can benefit from long judicial reviews of their status and settlement with a relative or an American family while their case is processed. Many successfully disappear into immigrant communities, or eventually receive legal status, and may achieve a level of education, food security and economic prospects that ultimately validates their long and often dangerous migration.

This, indeed, is in the tradition of our Arrival Nation. Although younger perhaps than most, they share in the struggle of arrival which characterizes the history of migration. Their hardships become a part of their arrival mythologies: their struggles transmuted into a determination that their success, and eventually that of their children, can assuage the trauma of their up-rootedness – their deracination.

As a part of the epic transformation of the planet from a rural to an urban way of life this new children’s crusade is also part of a trend which will see, by 2050, according to United Nations projections, a halt in the world’s population growth. Clive Ponting, in his A New History of the World, 2007, writes that it took two billion years for the world’s human population to reach one billion in about 1825, and is projected to increase to nine billion before the trend’s reversal in another thirty five years. The children massed at the border will be instrumental in effecting this epochal shift - unless they are returned home to poor rural communities where birth-rates remain high.

Stephen, shepherd and boy-preacher, stood ready to take his followers, children all, into the heart of an unfathomably alien culture and there convert the infidel to a Europeanized Christianity and return the Holy Lands to their iconic centrality within the Roman Church. The rag-tag assemblage of children massed at our borders is engaged in a very different crusade. They await not the parting of the waters but the melting of the hearts of this Arrival Nation – an atavistic return to the true spirit of this country, tragically first evinced by its native populations who welcomed the white man.

Each successful child migrant, however they establish their new lives, can thus, perhaps, count as a small part of our repayment of the heavy psychic debt we owe to these lands.

The Great Wet Hope

Perhaps I’ve grown soft. It’s been a while since I have clambered through the more or less virgin chaparral on the east hill that rises up from our seasonal stream bed – which latter defines the edge of the known world in that particular direction. I mean, it’s all very well to admire the ceanothus blooms as they spread like a spring snow over the slope, or watch as creamy chamise blossoms turn the rheumy color of a ripe stilton, but to get down at ground level and crawl up the slope demonstrates just how little I can know from my accustomed, imperious position above it all at the kitchen window.

Make no mistake: my crawling is not affectation. It is quite simply the only way to make it through the tangled branches of mountain mahogany, ceanothus, laurel sumac and poison oak - still all entwined with wild cucumber vines. I found a narrow stream bed that headed directly up-slope and seemed to offer the best route but veering off of it I found a steep clearing to the south and was able to traverse across the slope and found myself just above my goal: an old wolf oak that had seemingly perished over the winter after two years of extreme drought conditions. Looking to the west I could see that the sun had set and the house, which I now looked down upon from this unaccustomed perspective, had a deep bronze cast, the windows bleak voids in the fading light.

Soft? certainly winded and fearful of getting back down without falling through too much P.O. But first, I needed to know whether there were signs of life on the oak whose canopy was a uniform pall of dead leaves. This is an old multi-trunker that has survived its share of fires, and there in its crotch I saw a sprig of green – new growth, and a branch, low down, wrapped in cucumber vine, that was sprouting spring leaves….then, another which also sported new foliage. Satisfied that there was yet life in the old thing, (and, I saw, a sturdy sapling was growing nearby) I rappelled down the slope grabbing any old tree limb that fell to hand and eventually slid down into the dry stream bed below the house.

There’s irony in my privileging Quercus agrifolia over the lowly scrub oak, which is the true denizen of the elfin forest. W.S Head, author of an early chaparral appreciation (1972), classifies the scrub oak as a shrub and of course, Richard Halsey would like to rename our local forests as Shrublands, (Land of Very Few Uses). The stately coast live oak really has no place in chaparral, its home is in oak meadowlands, woodlands like those across the valley, which face north and are sequestered in shade and damp, or at creek’s edge in a riparian habitat. Yon drought stricken specimen had been succored by a chaparral stream bed that has now failed to flow for two years in a row. It stands, moribund, despite the new growth, with its fate dependent on the extent of next winter’s rain.

A few weeks on, and now the chamise blossoms have turned a ginger-brown and are massed as thick veins of copper marbling the chaparral and, at the margins, the pink and white buckwheat blossoms are curdled with rust; in the meantime, I spent five days on a ranch in Wyoming where the heavy winter snows of the cool-phase Pacific Decadal Oscillation (Another.....Beautiful Day) are newly melted and swelling the tumbling creeks that engorge the North Platte River as it winds through southern Wyoming’s Medicine Bow Mountains. Here, just east of the Rocky Mountains there lies verdant high-prairie - the lush antithesis of our desiccated drought-lands.

Our turn will come.

The Guardian breathlessly reported, early in June,

“The global El Niño weather phenomenon, whose impacts cause global famines, floods – and even wars – now has a 90% chance of striking this year, according to the latest forecast… El Niño begins as a giant pool of warm water swelling in the eastern tropical Pacific Ocean, that sets off a chain reaction of weather events around the world – some devastating and some beneficial.

India is expected to be the first to suffer, with weaker monsoon rains undermining the nation’s fragile food supply, followed by further scorching droughts in Australia and collapsing fisheries off South America. But some regions could benefit, in particular the US, where El Niño is seen as ‘The Great Wet Hope’ whose rains could break the searing drought in the west.”

In Wyoming, in early spring, rivers were running at twice their historic average rate. Only the ravages of the bark beetle cloud this land that flows with milk, honey…..and beef. The lodge pole pines, spruce-fir and aspens, that must have once entirely covered the high ground of the Medicine Bow Mountains have now shrunk to cover less than a quarter of the land and the remaining forests are patch-worked with dying timber: mountain trails are littered with fallen trees and well nigh impassable. It is reported that beetle infestations are on the decline – but this is only because the number of host trees suitable for attack is steadily decreasing every year.

Drought is endemic to Southern California and our forest, the chaparral, is adapted to it and remains healthy. What’s left of the steelhead trout population is hunkered down in perennial pools alongside dry river beds. Some streams still run and wildlife it seems, from my casual observation, is surviving just fine. Foxes have moved into the niche vacated by the parvo-struck coyotes, an occasional bobcat is sighted and just down the road there was another mountain lion sighting. Controversy rages in the pages of The Ojai Valley News as to whether a horse on Fino Ranch, a little west of us in Upper Ojai, was killed by a big cat. Owner says yes, his vet is doubtful. Deer continue to browse contentedly, if with a watchful eye.

 The great wailing and breast-beating over our perceived lack of water is an entirely anthropogenic phenomenon. Exotic trees, agriculture and high population densities (with assumed entitlement to grassy swards and leisurely showers) as well as industrial processing are all uses exposed as inappropriate during these cyclical droughts. It seems, however, as though the proponents of the above will now be vindicated for the next little while by the appearance of the baby Jesus wrapped in a swaddling of storm clouds.

Our shrublands, these lands of very few uses, bar their utility to the Oil industry, their use as exotic background in Hollywood movies, as transportation corridors, military proving grounds and, at their wildland urban interfaces, as residential real-estate have survived the global deforestation pandemic: they produce no commercially viable timber and, once cleared, uncertain rainfall diminishes the land’s value for grazing.

Mostly un-loved, mostly un-seen (except as anodyne background to the tectonic excrescences of contemporary southern Californian culture), sometimes burning, mostly dry, always richly pungent, these lands are, above all, intensely alive, a profound efflorescence of the world soul and supremely adapted for survival.

 But a wet winter wouldn’t hurt…….

Mojave Road

Like Carey McWilliams, I believe in Californian Exceptionalism (The Great Exception, Carey McWilliams, 1949). The State is exceptional because of its history, natural bounty and geographical situation - but Southern California, in another McWilliamism, is also An Island on the Land (McWilliams, 1946).

Bounded by ocean, mountain and desert this land is discontinuous with the mesic north, with the desiccated and trackless Great Basin to the east (beyond the Colorado River) and with the south by virtue of the Treaty of Guadalupe-Hidalgo. The fifth article of this document, which ended the Mexican-American war in 1848, mandated that the boundary line to Mexico should begin on the Gulf of Mexico and follow the Rio Grande, then down the Gila River until its confluence with the Colorado and thence track west to the Pacific.

Neatly girded within these parameters, the region has occasionally chafed against its inclusion within the larger statewide boundaries. Wikipedia notes that there have been at least twenty seven serious proposals to partition the state. The most popular dividing line, historically, has been the Tehachapi Mountains, initially because of the difficulty of traversing the rugged range (eventually achieved by the building of the Ridge Route in 1915 which morphed into U.S. Route 99 and is today Interstate 5). The Pico Act of 1859, which would have created the new southern Californian state of Colorado, passed the state legislature and was approved by the Governor.

Only the Seccession Crisis of 1860 prevented its consideration in the U.S. legislature. Another chunk of not quite so desirable real estate, where the Colorado River has its source, shortly assumed that name in 1876, to become the 38th state. A little over a century later, in 1965, the California state senate again voted to divide California along by then familiar lines but the legislation stalled in the state Assembly.

I am re-visiting this history because a couple of weekends ago I was in the south east corner of the state, with friends Will, Joe and Mike in the Mojave National Preserve, where the Mojave Road and Route 66 played significant roles in the unique development of the southern half of California.

The first night we pulled off the 15 and headed for Owl Canyon campground where the massive batholith that under girds the Mojave emerges, in spectacular fashion, from the hardpan. Bent downward by compression, it has formed a basin in which sedimentary rocks have formed and now under further compression, are themselves deeply folded. It was within this antic moonscape that we enfolded ourselves, lying beneath the night sky on sandy terraces that stepped down to a wash. Only the lights of Barstow’s premium outlet mall, which irradiated the sky with a pale bloom, reduced the septillion stars potentially visible to us to a prosaic 2000 or so.

The next morning we met up with the rock-art crew led by John Bretney who had variously motored up from Orange County and the South Bay, at the Lenwood MacDonald’s. While we toyed with our sausage biscuits and scalding coffee, John laid out the plan for the day.

When humans first arrived in the Mojave (with absolute certainty 12,000 years ago, but perhaps even before then) they found a temperate lacustrine environment with lakes and wetlands interspersed with rich grass lands where mega fauna played (newly interrupted by heavy Clovis points arriving atop crude spears). But within a few millennia the climate became less wet and the lakes began to shrink. Some gauge of this process is evident in the succession of stone fish traps that were built at lake’s edge - horseshoe shaped piles of rock that can still be found on the parched desert floor - reflecting the shrinking shore lines. By this point, perhaps because of over-hunting, the megafauna had long gone. Between 6,000 and 3,000 B.C. desertification accelerated as the climate became still warmer and drier and the land became largely depopulated.

Today’s slightly cooler climate has been in place for some 5,000 years and the characteristic low-land vegetation of creosote bush, Joshua trees, cholla and barrel cactus established. Will and I were excited to spot a lone chia bush on the desert floor lending credence to the notion that this super-food may have fueled the Mojave runners reputed ability to run a hundred miles in a day (Bretney). At higher elevations there is pinon and juniper. All this we observed as our caravan of 4-wheel drives and my soft-road Audi careened from rock pile to cave and canyon in search of rock art that is now the only remnant of the spiritual visioning of pre-historic human life in the desert.

We had begun by driving east on California State Route 40 which parallels the Sante Fe Railroad and the old Route 66. All these arteries cross the desert south of the Mojave Road - along which we would later travel - which faithfully tracks the original east-west trading route of the Mojave people and which was first traversed by a European in 1776 when Fr. Francisco Garces made the epic trek from Yuma to the San Gabriel Mission. Fifty years later, Jedediah Smith was the first of a series of mountain men to pioneer this southern route to coastal California.

When Mexico ceded much of the southwest to the U.S after the war, the government initiated exploratory expeditions with a view to developing rail links to these newly acquired territories. While Congress vacillated on the best route, contractors moved ahead to create a wagon trail for the expected hordes of emigrants along this desert track. The U.S. cavalry built Fort Mojave on the banks of the Colorado where 500 troops were stationed. Other forts were established at springs along the route and local Indians banished from this by then vital land-link to the far west.

In 1883, a rail line was finally completed from Needles to Barstow and subsequent wagon and then auto-routes cleaved to the railway rather than the older trail. In 1913, in the dawn of the age of the automobile, this route was confusingly designated as The National Old Trails Road as a link in an ocean-to-ocean highway and in 1926 became a part of Route 66.

Our day proceeded amidst these braided arteries, across a palimpsest where we were seeking pecked and painted images on sandstone, granite or basalt – the faint remains of vibrant pre-historic cultural complexes – and where the ghosts of the Mojave people (and the Kawaiisu, Paiute, Kitanemuk and Serrano), mountain men, the U.S. cavalry, prospectors, homesteaders, cattle ranchers, Okies fleeing the Dust Bowl and carefree Post-WWII Americans getting their kicks on Route 66 still haunt these dusty roads and sandy washes.

Conveniently located between the major populations of Los Angeles and Las Vegas, the highest calling of this land of “singing sand dunes, volcanic cinder cones, Joshua tree forests, and carpets of wildflowers” is now, according to the National Park Service which administers the Preserve, to provide “serenity and solitude” to tourists “from major metropolitan areas”.

Ancient Super Seed Secret

In The Three Sages, I wrote about three local salvias –black, white and purple - no mention of chia, Salvia columbariae (the most important sage to the Chumash) the seeds of which are now consumed daily in our breakfast cereal, bread and health drinks. Dr Oz (among others) proclaims it to be an Ancient Super Seed Secret. It was a staple in the diet of many indigenous peoples. Referencing C.L. Bard’s A Contribution to the History of Medicine in Southern California, Southern California Practioner, August 1894, Jan Timbrook notes,

“Perhaps the most widely used phrase in California Ethnobotany is Bard’s assertion that one tablespoon of chia seeds was sufficient to sustain for 24 hours an Indian on a forced march".

More than a century later, the hyperbole continues.

My goal in The Three Sages was partly to raise awareness of this species that thrives on the fringes of the chaparral and to encourage a minimal sage literacy. How then could I ignore columbariae? The simple fact is that until a few days ago I had experienced but a single chia sighting, on Shelf Road, some four years ago (In Search of a Shaman’s Lair). All that changed on a recent hike up Horn Canyon.

Was it a Thacher lacrosse field that lay to my left on the way up to the trail head? Young athletes lounged on the field, their sophisticated ball catchers sprawled around them, mostly unaware that this game had derived from a geographically alien culture (East-coast woodland Indians) and were they to participate in simulacrum of a local indigenous sport then on-line poker would be infinitely more appropriate (the Chumash were gambling-mad). Unless, that is, they were interested in achieving an altered state of consciousness, in which case ultra-marathoning might appeal to these louche wannabe Spartans. Fueled by the ancient super seed, local Indians performed prodigious acts of mind-altering distance-running.

Meanwhile, a young equestrian crossed my path and trotted up a nearby rise. The Spanish, agents of the Indian genocide, had, of course, re-introduced the horse to California in the late eighteenth century after the original Asian immigrants had hunted Equus ferus ferus to extinction at the end of the Ice Age some ten thousand years before.

Best not, perhaps, to trouble these young minds with the difficult paradoxes of pre-history. I passed by, intent on broaching the wildlands that beckoned beyond.

Yellow-gold petals from bush poppies were sprinkled along the trail. The rocky path was shaded by cottonwoods, bays and oaks as it followed Thacher Creek. Horticulturally, it was a quiet beginning: the usual suspects of lupin, mimulus, vetch, blue dicks, eriodictylon, occasionally woolly painbrush and, of course, the bush poppy grew along the clearing in the dominant chamise chaparral.

As I climbed beyond The Pines camp site at 3250 feet, the vegetation grew more interesting – dodder, wooly blue curls, manzanita, bush oaks and then………..chia! It grew, demurely, on either side of the trail amongst the companionable blue blossoms of blue dicks, black sage, and yerba santa: a few florets still clung to the seed heads which, in a week or two, would be ready for harvesting.

I imagined that long ago forbears of these annual plants had been seeded from spillage from burden baskets carried by Chumash women (secured with a tumpline - a broad strap supported by the woman’s brow) as they returned from the legendary chia fields at the foot of the Toptopa range. As M. Kat Anderson explains in Tending the Wild, 2005, Chumash grassland burning practices encouraged the growth of selected seed crops. The cessation of this practice, combined with the inroads made by introduced plant species has caused a drastic decline in the abundance of chia (Timbrook). It is now grown commercially from Kentucky to Argentina, but here in the erstwhile happy gathering grounds of the Chumash, it is increasingly rare - easier to find on supermarket shelves than in the wild.

Thus the commodification of the wildland continues at a cost to the authentic experience. Goji berries promise to provide the longevity of Himalayan Tibetans while chia seeds guarantee the endurance of the Tumarahara and Chumash trail runners (In Search of a Shaman's Lair). Context is everything. I can assure you that your endurance will improve if you regularly climb out of the valley to about 5,000 feet and harvest your breakfast cereal and then carry it back in a Juncus rush burden basket, mix some with a little spring water and knock it back. Similarly, the sparse diet of the traditional Tibetan, with or without goji berries would almost certainly prolong the lives of the WEIRD (Jared Diamond’s acronym for Western, Educated, Industrialized, Rich and Democratic). Dr. Oz’s medicine show promotes Chia pudding, Click here for the complete recipe, but absent the primitive life-style of the indigenous people your health benefits may vary.

Authenticity in Landscape, Life and (Lacrosse?) is hard won. Edward Abbey, whom I have only recently begun to read, represents someone who, although fundamentally WEIRD (but never Rich and as an Anarchist, questionably Democratic),  possessed an inviolable authenticity. He writes, in Desert Solitaire, 1968, that his aim, as he begins a summer as a park ranger in Moab is to,

“confront, immediately and directly if it’s possible, the bare bones of existence, the elemental and fundamental, the bedrock that sustains us. I want to be able to look at and into a juniper tree, a piece of quartz, a vulture, a spider, and see it as it is in itself, devoid of all humanly ascribed qualities.”

Farley Mowatt, the Canadian writer whose death at 92 was announced today had a similar ethos: he adopted the diet of the Artic wolves he was studying (eating wood rats and other rodents) in order to understand their true nature. He later fictionalized his researches as Never Cry Wolf, 1963. Peter Matthiessen, who died earlier this year, never wavered from his fierce advocacy of the wildlands and its creatures. His first book, Wildlife in America, 1959, was published three years before Rachel Carson’s Silent Spring, and initiated a half century of researching and writing about endangered species. In The Birds of Heaven, Travels with Cranes, 2001, he writes,

“In this brilliant winter light, against black tree trunks and white snow, the red-crowned crane moves and turns like the quick heart of life, as dark evergreens, in their impenetrable stillness, breathe the imminence of the great mystery looming behind.”

Such lyricism can be the reward for an authentic immersion into the natural world. All I’m saying is a life in Ojai demands an engagement of its wildlands. A friend who lives on a lane off of Thacher Road mentioned that in her ten years of living in Ojai, she had never seen a deer. I suppose it would be possible, immured in Manhattan, to never see a yellow cab. But can either life be considered authentic to the place where it is lived?

The Three Sages

I arrived at Easter Dinner, kindly hosted by good friends Hans and Annika, whose house at the top of Signal commands a majestic view of the valley, with a bunch of salvia leucophylla, a bottle of Prosecco and notes for a short disquisition on resurrection (this last specifically requested by our hostess).

At some point in the proceedings, after a couple of glasses of Prosecco, I pulled out said notes and began, “It is your collective misfortune that I have just read the recent history of Jesus by Reza Aslan, called Zealot”. None amongst the guests, I quickly ascertained, had read the book: reassured, I went on, “Having received today’s assignment I jotted down my understanding of the work in terms that were unavailable to Aslan, as an academic historian, but may, in my vernacular, have a greater contemporary resonance”.  I began declaiming my bullet points - what I called the nuts and bolts of the Jesus story with,

“Jesus was the leader of a band of illiterate red-necks who formed an ultra-nationalistic Jewish sect dedicated to the overthrow of the Roman Empire in Judea…….”

I soldiered on through another nine scalding notes….but although the audience remained politely attentive I was reminded of the slightly stupefied glaze that used to come over the faces of pupils in my tenth grade history classes and I was happy, at the end, to switch gears and suggest that my original intention had been to talk about the resurrection of the field of moribund black sage that sits to the west of our house, whose rejuvenation was effected by the heavy rains of late February and early March.

Had I known, ahead of time, of the bemused reaction that my first offering, the sage bouquet, would elicit I might have stuck with that initial intention. Few, even amongst the Ojai residents in attendance, seemed to understand that purple sage (named for its flower color) is a foundational plant of soft chaparral and as such is everywhere at the fringes of the wildland – just over their back yard or, in my case, very much in my front yard. At this time of the year it is a stunning cut flower, although it sheds its purple florets quite quickly - in this instance into the trays of devilled eggs that the blooms overhung once placed in a glass vase by Annika, in the center of the kitchen island. The multitude, I might have reasoned, was in greater need of enlightenment vis a vis soft chaparral than a slightly revisionist rendition of the Easter story. Either way, I was going to scratch my itch to teach!

These flowers were no exotic offering: they were merely a showy exemplar of our prodigiously rich native flora. Here was an opportunity to expound upon our three sages, their names, characteristics and favored environments. In the interests of remaining a tolerably entertaining guest, it is fortunate, perhaps, that my enthusiasm for the chaparral was, in the end, tempered with a little bible study. But here, on my blog, with its clearly stated chaparral mandate, I can let rip!

The first thing to know is that locally, there is black, white and purple sage; and maybe that is enough.

I have just begun reading Peter Matthiessen’s The Birds of Heaven (2001) in which he recounts his journeys to the ends of the world searching for the fifteen remaining species of crane. It occurs to me that we, who live in Ojai, should all take a journey in search of our three sage varieties. For some it will involve nothing more than a stroll around the garden, for others a hike into the canyons. Purple sage is in my line of sight as I write this – out of the kitchen window, where it attracts moths, hummingbirds and monarch butterflies. Our west meadow is mostly black sage with a little purple running through it, while white sage grows reliably at White Sage Rock overlooking Bear Creek which flows (even in dry years) along our western property line.

A couple of weeks ago I invited a few friends along for what I advertised as a wild flower ramble up Bear Canyon . The event was cancelled, but on a recent evening I chose to go on the walk to see what we had all missed and to gauge the difficulty of seeing the three sages along a single track canyon trail.

Now this trail, which effectively starts at the Greenberg Ranch at the top of Koenigstein, does not offer the rich cultural stew and socio-political drama of navigating the Black Dragon River in the Manchurian borderlands between China and Russia, up which Matthiessen voyages in search of his cranes, but it does offer a variety of conditions as it leaves the avocado ranches behind and heads towards the lower scree slopes of the Topatopa mountains.

The Greenbergs have lived on Koenigstein longer than any other residents, moving here in the 1960’s after having farmed for many years along Tree Ranch Road, just west of the Summit. Natalie Greenberg no longer lives in the house she and her husband built, but her daughter Emily stays there intermittently; their avocado orchards, meanwhile, are professionally managed.

The first half mile or so of the trail runs over their property and a sign warns of loose stock although there have been no cattle on the property for the five years that I have walked it. The route begins alongside a pomegranate hedge which borders their northern-most orchard. On the other side of the dirt road is scrub land where lie piles of concrete debris from the demolition of stone-faced gate pylons that used to adorn a nearby property - until the County determined that this baronial gesture had been made on their road easement.

A little further along the track, on the left, a steep drive runs down to Leo Lockwood’s avocado ranch that straddles Bear Creek. For many years the Whitman’s, our neighbors, who arrived in the 1970’s, battled Leo over his practice of diverting water from the creek for irrigation and otherwise altering the natural flow. Meanwhile the Whitmans are not entirely blameless in this regard having used the creek to fill a vast swimming pool for many years; but the Greenbergs are the most egregious offenders and even in this very dry season their ranch managers have rigged up 6” pipes to carry what little water flows in the creek to a giant 35,000 gallon holding tank complete with an overflow pond above their orchards. While the trail continues on their property, long-failed irrigation pipes litter the verge as the track heads for its crossings of the creek.

Before the first crossing there is a eucalyptus grove where abandoned trucks and two dilapidated travel trailers or caravans, tarps draped over their roofs, are casually parked. Then a western facing slope appears, overlooking the upper valley, covered in black sage (so called for the inky hue of its dried seed heads). The field of mint green leaves seems almost irridescent in the westering sunlight belying the plant's somber name. On the bank along the up-slope side of the trail there are now occasional purple sages – not yet in bloom (at this higher elevation than my front yard) but easily identifiable by their white/grey leaves.

Already I am seeing bear scat – this path evidently serves as their route to the avocadoes. On the approach to the second crossing, ancient fire-scarred oaks crowd the trail while on the eastern side, a rock face presses in on the canyon: here, at this dry dip in the road, are the de facto headwaters of the Greenberg’s illegal irrigation system. A little way to the east, as the creek bed tumbles to the foot of the cliffs, there is a puddle of water welling from the ground into which a pipe and filter have been artfully placed – this, the latest iteration in a perhaps fifty year tradition of installed, failed and then replaced pipes whose archeological evidence is enshrined in steel and plastic tubular debris.

Climbing beyond the ford one enters the narrow defile that parallels the now unseen creek. Deeper in shade, damper and less traveled, the track is over hung with bay, big leaf maple and oak. The under storey features golden current, poison oak and scrub oak. As the trail approaches the scree slopes below the Topatopas (sprinkled with yuccas and a lone group of relict big cone Douglas firs) the trees become sparse and the ground cover is dominated by white sage, (named for its whitish leaves) and yerba santa, its leathery, serrated foliage a pale green and which, at this elevation, is just beginning to display its clusters of blue flowers. Along the verges, soap plant is shooting its flower stalks skyward from a base of crumpled lily leaves. Sometimes, prickly phlox injects a bubble-gum pink into the patchwork of colors underfoot.

The trail ends abruptly when it rejoins the creek now climbing steeply towards the foot of the spalled mountain face. Clambering down the bank, I then make my way back along the creek bed, freshly scoured by the  deluge early in March, but with no water now in sight. Here mule fat (baccharis salicifolia), mugwort, California blackberry, and poison oak predominate until, as the creek approaches the ford, the dense shade gives bracken fern shelter.

Gathering these experiences together, I have re-written the final bullet point of my Easter Story so that Sage, Christ and Spring are now fully conflated:

"The rejuvenation of the sage on the two acre meadow west of our house, after its near-death experience during this drought winter, and the passion and resurrection of Christ have many parallels, not least in their relationship to the celebration of Spring - for this is the season when the natural world may offer a window into the divine - its green curtain drawn back and here, in the chaparral, the mysteries of the three sages revealed."

Blood Moon

Is Ojai cool again? It’s been an awfully long time, perhaps not since Beatrice Wood was a girl. The dead hand of the Ojai Valley Inn and the sepulcher that is the arcade have made this town a very dull place indeed.

Alex Proud, writing in the Telegraph notes, “I have seen the future – and the future is Paris and Geneva. The future is a clean, dull city populated by clean, dull rich people and clean, dull old people”.

Make that Paris, Geneva and Ojai. Except that something wonderful is happening in the Valley of the Moon. Hipsters have arrived.

Now some of you may be thinking that this is not an unalloyed beneficence. Many may have experienced being pushed off of the sidewalks of Venice and Silverlake in Los Angeles and herded aside along the streets and avenues of Brooklyn by twenty-something, facially hirsute and tattooed young men and alluring, inked young women lurching from noisy bars to shade-grown organic, cold-press coffee houses to artisanal bakeries and restaurants with market-driven menus. When they take to the road (where their elders may sometimes be randomly strewn, dazed and confused by this generational putsch) they are on fixies, Jack Spade messenger bags flapping in the breeze.

Here in Ojai, lacking the overwhelming numbers they are able to muster in the hipster capitals of the world, they represent a piquant seasoning to the still predominantly old, dull and clean - or at least clean shaven, and sometimes wealthy population. They do not threaten, they enrich. They will forever be exotics not endemics. But their influence is keenly felt………..and it’s a good thing.

Now, fortunately for the future health of the planet, hipsters have little interest in driving cars but they are curiously attracted to the derelict and defunct infrastructure of an erstwhile, car-centric world. Thus Summer Camp, a general goods store specializing in the ephemera of a simpler, pre-digital civilization, sits atop the toxic waste of a long-ago service station. The House of Fixies’ showroom (signage confusingly proclaims it to be The Mob Shop) is in the service bays of a gas-station that used to actually fix cars as well as sell gas (how quaint is that?). The building is thus re-purposed to cater to the urge for self-propulsion for which the aforementioned purveyors of hipster comestibles provide the necessary fuel.

One of the enduring mysteries of the modern world is that the increase in cars has resulted in the radical reduction of the number of gas-stations. Used to be, in the 40’s and 50’s, one could barely drive half a mile through Ojai without being beckoned by a forecourt enlivened by colorful gasoline pumps and their boiler-suited jockeys (or so the number of such abandoned and now re-purposed structures leads me to believe).

Pedaling east and leaving the many chambered, non-hipster, retail crypts of the arcade behind, our exotic, ex-urban twenty-somethings are accosted by the unbearably charming Spanish colonial revival forecourt that serves as an annex to Knead which now sells, in lieu of petroleum, serious hipster fuel – delectable, artisanal baked goods. Next up, our single-speeder finds, on the left, a Pet Spa specializing in the grooming of very small dogs, housed, inevitably, in a very tiny ex-gas station and, across the street, CJ’s repairs the farm-trucks of yesteryear in the service bays of a larger, but long-dry gas station - nostalgic, artisanal kinds of vehicles that still gladden the hipster heart.

Apart from its abandoned gas-stations there are few buildings in Ojai that might stir the hipster-soul. Adam Tolmach’s Ojai Vineyard now occupies one such, the old Fire House on Montgomery, a landmark WPA brick building which served the Ojai Fire Department from 1936 -1979, and it is here that his fine hand-made wines may be tasted. Predictably, the much lambasted (in this blog, at least) arcade, post-office tower and Libbey Park pergola, once the defining architectural icons of Ojai, appeal largely to the old and dull. The Libbey Bowl, set in the park, resounded to the sounds of an echt hipster band, Edward Sharpe and the Magnetic Zeroes, for one brief moment -a magical night a couple of years ago - but customarily serves up, outside of its signature New Music festival, superannuated performers from the old and dull’s youth.

In the back of another brick building of only slightly later vintage than the Fire House Ben and Marissa, creators of Hip, a restaurant serving vegan food, have successfully bridged the gap between hippie and hipster and cater to locals as well as the Silverlake diaspora. The main room of this building (where once its owner Mary Goldberg ran her restaurant, Treasure Beach) is occupied by dba, a small design-driven architecture firm and P.Space where P.Lyn Middleton sells her stunning hand-made ceramics.

Now comes Warner Ebbink (owner of the Rocker-Hipster Coffee Shop 101 in L.A.), a serial restaurateur with an eye on the bourgeoning Ojai market, as the new owner of Mary’s building. His precise plans are shrouded in a too tight and too short hipster jacket of secrecy.

Topa Topa Brewery is optimistically proclaiming that its future space, the disheveled, barely roofed old plumbing workshop that has stood forlorn and empty for many a year on the Avenue, just west of Ojai Creates, will be open early in 2015. Some discerning residents consider this to be perhaps the finest of all the mid-century quotidian commercial structures in town but sadly its conversion to a code-compliant building will almost certainly eviscerate its charm. After a few craft beers (the young’s new wine), perhaps no one will care. Inspired to lurch west towards ersatz colonial arches, the buzzed throng might do well to visit The Hub - the single business that escapes the general opprobrium I have conferred on the arcade - a blue-collar bar that is ripe for a retro, PBR (Pabst Blue Ribbon) kind of revival.

Lodging for this youthful diaspora is now thoughtfully provided by The Rancho Inn, a motel from the 50’s recently infused with the early twenty-first century zeitgeist by two young, hip hoteliers. Regrettably, the new owners of The Capri, The Hummingbird Inn and The Deer Lodge have decided that there’s still gold in the old and dull hills. New publishers for Edible Ojai and Ventura have just replaced the perennially hip Jane Handel and they too, based on their first few issues, appear headed for those same hills. The two journals of Ojai real estate boosterism, the Quarterly and the Visitors Guide remain blithely unaware of the new kids in town, and continue to pitch their publications to guests at the Ojai Valley, rather than the Rancho Inn.

When Mike Kelley, the internationally acclaimed Los Angeles artist, visited town none of this mattered. His analysis of the place as evinced in a series of a dozen or more 8 ½ x 11 pencil drawings, currently on display as part of the massive show devoted to his work at L.A.’s Museum of Contemporary Art’s Geffen Gallery, depict three elements emblematic of this series of valleys - oil, oranges and the geomorphic shape of the enveloping mountains. All of which once seemed like the eternal verities of the area. Now, not so much: the presence of the oil industry in Ojai is an embarrassment to many while citrus is threatened by changing long-term weather patterns and a persistent drought – only the mountains remain un-moved by time, fashion or economic expediency.

The town too, is in flux. Kelley identified an arc that stretches from Thomas Aquinas College to the Libbey arcade at the center of town while citrus groves are shown quartering the East End. Hipsters who land here now favor the wilder reaches of Upper Ojai or the dramatic gorges of Matilija Canyon. The East End is dead to them, perceived as ground zero for the old and dull. For those youngsters with a more urban bent, Motown (Meiner’s Oaks) is an attractive, funky option with a growing array of hipster oriented services such as The Farmer and The Cook (Restaurant and organic produce); Book Ends (housed in a re-purposed Church) and The Coffee Connection.

The 150 artery, as Kelley discerned, is the life blood of Ojai but the arrangement of vital organs along its length is subtly changing: now the young are creating a new corpus corporis channeling energy to their favored haunts while the provinces of the old and dull slowly wither. It’s a brutal process, but one that is necessary for the continued relevance of our Lunar Valleys. This week's blood moon is a sanguinary harbinger.

Shell Game

Early this morning: dark clouds scudded across the eastern sky, as though fleeing the impenetrable, moonless night. A slightly fuzzy crescent the sun had carelessly painted on the side of our earth-washed satellite (which had arisen to greet the dawn) hung over the eastern ridge, a jewel bright morning star subtended below it. Sort of reminded me of the Turkish national flag – and no wonder, said red banner pays homage to the Tengriist beliefs of the ancient sky-worshipping Turks.

Status report from an earth-worshipper: underfoot the peonies, soap plant, wild cucumber, goosefoot and Acourtia are flourishing; at eye level ceanothus and chamise are beginning to bloom; poison oak glistens malignantly. Despite the general failure of winter, spring has arrived. Pantheists (and others) are rejoicing.

Last week, not for the first time, I was called to jury duty: actually for the third time that I did not have the ready excuse of resident alien status. Ah, those joyous years when I could scrawl “Non-Citizen” across the summons and return it (postage paid). But rendering such service is a small price to pay for the diminished night sweats. As a citizen of this fine country I can now luxuriate in my anarchist politics, comfortably ensconced in the great pluralism of the U.S. of A, protected by the might of Empire and assured of my First Amendment freedom of speech – and, by inference, of thought. Yes, dear reader, this country now clasps a viper to its bosom.

Now, when it comes to jury service, I am as willing as the next free-thinker. Turns out, such willingness is not reciprocated. Call number two (when it counted) resulted in my inclusion in a jury pool on a drunk-driving case. The case turned, as we were led to believe, on the accuracy of the breathalyser device. A young Latina was the defendant: casual observation would lead one to believe that she should more appropriately have been charged with under-age drinking. In any event, she had been stopped and blew, as the billboards suggest, $10,000. More perhaps, as she had the gumption to contest the charge. Seated with my fellow good men and women jurors I was questioned by defense and prosecution: I threw the racial profiling curve ball and followed it with the “in no circumstances will I find this woman guilty’” game ender – or so I thought. The judge came to bat and asked whether I would follow his instructions. Not necessarily says I – finally, game over. Judge asked to be reminded of my name and profession and then excused me from further service. That’s one potential client to whom I can safely say goodbye.

You’d think that that performance would have earned me an asterisk against my name – indicating that under no circumstances, save a massive die-off of eligible citizens, should I be called to assist in the machinations of the criminal justice system. But no….last Thursday found me in my jury attire lurking at the back of the hall with the on-line poker players. I was reading Edward Abbey. Mercifully, at around 3 p.m. we were sent home.

Having consigned the entire day to this civic duty I now found myself close to the ocean with more than four hours of light awaiting my pleasure. Gone are the days when I might have checked the surf report, instead, the Chumash Trail (which has some claim to being the oldest continually used footpath in California) was calling. Located across the Pacific Coast Highway from the Seabee’s rifle-firing range, it is at the southern end of Mugu lagoon in what once was the sizable Chumash village of Muwu, the path heads straight up the western flank of Mugu Peak (1050’). I usually pass the dirt parking lot on the left as I drive by at around 60 m.p.h., eyes looking ahead to the less photogenic side of Mugu Rock, and preparing for that first shot of ocean on my hurried way to Santa Monica, but this day I pulled in, parked the car, grabbed my paper cup of Peet’s Darjeeling tea and headed up the heavily used track.

This is in the area that burnt in the Camarillo Springs Fire of May 2013 and absent a wet fall, the vegetation is only now beginning to regenerate: first up, bushy red-berry; yucca, sprouting from blackened ‘pinapple’ stumps (the edible crown or base of the plant); bright green opuntia pads growing on charred cactoidal skeletons and coreopsis sprouting amidst its burnt ruins from last spring.

After about 25 minutes of steep climbing, I reached the first overlook of La Jolla Valley, green meadowlands that reach towards the jagged backdrop of Boney Mountain, reputedly a place of power for Chumash shamen. Behind me views of the ocean and Mugu Lagoon fading into the mists of Port Hueneme. To the right the trail continues up towards Mugu Peak where some functionary from the California Department of Parks and Recreation (I presume) had seen fit to raise an American Flag - a reminder of our crass conquest of these primal lands. Here, blue dicks, Indian paintbrush, poppies and white lupine have established their own mountain-top kingdoms somewhat less assertively.

Dropping down towards the rugged La Jolla Canyon the trail crosses a small creek and then leads back towards the meadow. Beneath skeletal oaks with bright green foliage nested in their carbonized upper branches I followed the creek where pools of water and jumbled debris of blackened sticks and rocks remained from the recent rain storms - crowded by patches of mugwort, nettles and poison oak. Along side, mounded, ashen earth forms were dotted with the burnt oaks where once the Chumash and before them, the people of the Millingstone horizon had made camp.

As I followed the track through a mostly monochrome landscape (the creek bottom and the puffs of new oak growth the only green) I noticed, on the blackened earth amidst the white ash of burnt sticks, other more intense dots of white. When I looked closer I realized that I was walking through a casual collection of shell middens – where mussel, barnacle, sea-snail and clam shells had been exposed by the fire. I picked up a small collection from the surface and put the shells in my now empty Peet’s cup. These were the leavings from some Chumash meal in the Mission period, below them no doubt, was buried the detritus from countless sea-food dinners consumed over many thousands of years.

At the other end of the sweeping curves of the PCH, which begin at Pt. Mugu and wriggle sinuously between the Santa Monica Mountains and the Pacific, is County Line beach (as it continues south the highway then veers away from the coast and heads across the Malibu hills). Neptune’s Net, a lonely sea-food roadhouse (except on weekends when it is beseiged by bikers) looks across the road to this surf beach and a small promontory that I have long understood to be a Chumash site (The Sage Gatherer). Immediately opposite this piece of scrubland which offers a fine perch from which to watch the surf, is Little Sycamore Canyon.

Commonly referred to in the archeological literature as the Little Sycamore site, VEN-1 was investigated in the mid ‘50’s by William Wallace who uncovered a kitchen midden site measuring 115m x 150m that, in the process of constructing the PCH has been split into two investigable fragments. He chose to dig at the surf-side promontory and beneath the surface shells he uncovered nineteen bodies, 116 metates (mortars), 123 manos (grinding stones), as well as pipes, charmstones, hammer stones, points (arrowheads), other stone tools and antler-bone flutes, diggers and pendants (Wallace et al. 1956). In the process, he more or less defined the characteristics of the Millingstone culture which he saw as unchanging over the 7,000 years of pre-history evidenced at the site. Later research has demonstrated significant cultural change over time culminating in the development of the Chumash civilization.

I had walked over a similar midden, the mounds, perhaps, not earth-forms but depositories layered over time and entombing a people’s artifactual history; the scattered surface shells remnants of the very last food consumed before their culture was swept away by the ravages of the Spanish.

Another......Beautiful Day

I have found, over the years, that the effort I have exerted in understanding a particular place from an historical, geographical, botanical, biological and meteorological perspective, is richly rewarded in terms of what I am going to call resonance – the feedback loop between a sentient being and its physical setting.

The scope of analysis can differ, but it does seem that the attention we pay to our surroundings enhances the possibility of symbiosis – where what we learn on a theoretical plane is enriched by the actual experience of a place. Perhaps it’s like knowing the plot of a Shakespearean play before attending the performance: an understanding of the narrative structure allows for an openness to the play’s more subtle emanations.

It is the weather, in southern California, that is one of the subtlest aspects of our environment. I often think of a remark attributed to Alice de Janzé in which she had once flung open the shutters of her window in her house in Kenya and declaimed: "Oh, God. Not another fucking beautiful day." De Janzé was a notorious Chicago meat-packing heiress and a key member of ‘The ‘Happy Valley’ set, a community of wealthy expatriates in East Africa in the 1920’s and 30’s, who clearly missed the meteorological vagaries of the Great Lakes region. I still miss the thunderous cycles of sub-tropical weather washing over coastal Sydney, Australia - that great build up of heat and humidity regularly broken by cyclonic storms - which I experienced for a decade before arriving in California.

Once in Los Angeles my regular plaint was, “and when exactly is the rainy season?” Although I arrived at the end of a wet calendar year, 1980, it wasn’t until January 1983 that I had me some serious southern California rain. It started raining late in the season, on my wedding day, the 23rd of the month, and It didn’t let up until late April, for a total of 32”. At that point, my meteorological acculturation was complete - with a visceral understanding of Albert Hammond and Mike Hazelwood's 1972 lyrics,

Seems it never rains in southern California
Seems I've often heard that kind of talk before
It never rains in California
But girl don't they warn ya
It pours, man it pours

Between 1986 and 1991, Southern California experienced a drought (I still remember the moratorium on water served at restaurant meals). Then the El Nino returned in 1991-1992 and began a series of wet winters culminating in the ‘super’ El Nino of 1997 – 1998, during which I was commuting a few times a week from Santa Monica to Ojai. In that memorable season the rains did not let up until the middle of May and totaled 41”. 2005 also brought heavy late winter rains (36”) to Ojai and briefly marooned our newly acquired land: the 150 was closed at the Grade and at Santa Paula canyon where it crosses Sisar  creek. The only reasonably wet year we have experienced since we moved in to the house in May 2009 was that first winter of 2009-10, when rainfall totaled almost 30”.

While it does sometimes seem as though ‘it never rains in southern California’ where one glorious sunny day succeeds the next, we remember the exceptions, the wet years….the dry, not so much. So it is that we find ourselves, in 2014, deep into a drought that has crept up on us like a (water) thief in the night. We have not, collectively, been paying enough attention and by now the emanations are no longer subtle: oaks are dying; year-round creeks are going dry and wells are failing.

Kit Stolz, a local journalist and the curator of a fine blog, A Change in the Wind, recently arranged a symposium, “Facing Drought Together, A Call to Community Response and Action” to focus the attention of Valley residents on the fact that we might just be half way through a 20-30 year drought. William Patzert, Ph.D., of JPL/NASA, introduced the audience to the Pacific Decadal Oscillation (PDO) a measure of average ocean temperatures in the Pacific that, historically, switches from a warm-phase PDO (leading to cold and wet weather in the western states) to a cool-phase PDO, which causes warmer, drought conditions, every twenty to thirty years.

Many of Ojai’s residential and agricultural landscapes are predicated on a permanent warm-phase PDO. California’s agriculture was founded on such wet-year optimism: the cattle industry in the mid-nineteenth century was established during a warm-phase PDO and subsequently foundered disastrously when the PDO switched states later in the century - the industry then suffered a terminal decline from drought and drought-induced cattle disease. Ojai’s citrus industry may one day suffer the same fate as the Ranchos.

So, in denial of our own experience of the flood and drought cycles of southern California, it takes a NASA scientist to awaken us to the meteorological realities of our Valleys. A few days later, The Guardian published a synopsis of a new study sponsored by NASA's Goddard Space Flight Center that suggests that industrial civilization is likely headed for irreversible collapse…………If it’s not one thing it’s another.

Every age harbors doomsayers, but it is undeniable that every previous civilization of the current post-glacial era, a 10,000 year epoch of civilizational efflorescence (a direct result of a warming climate) has collapsed in circumstances that are now alarmingly familiar. The study highlights the probability that global industrial civilization could collapse in coming decades due to unsustainable resource exploitation and increasingly unequal wealth distribution.

The sophistication of our late-capitalist western culture is no guarantee of its longevity. The study notes,

"The fall of the Roman Empire, and the equally (if not more) advanced Han, Mauryan, and Gupta Empires, as well as so many advanced Mesopotamian Empires, are all testimony to the fact that advanced, sophisticated, complex, and creative civilizations can be both fragile and impermanent."

When I taught World History in High School, I used a college level textbook that, from my perspective, was blessedly free of pictures, bar graphs and side-bars. It demanded of the students a sustained textual engagement of which almost all were developmentally incapable. Oh well. But as we marched through the rise and fall of civilizations in the Middle East, Europe, Africa, Asia, the Americas and the Indian sub-continent, we were alternatively entranced or bored stiff by the repetitive story lines. Population, Climate, Water, Agriculture, and Energy were the recurring characters in these tales of unheeding hubris and mindless careening towards inevitable collapse. This was the mid to late nineties – when the writing on our own civilizational wall was not quite so evident.

It appears now to be all of a piece. Western Civilization is about to be added to the chapters of failed societies where the harvesting of resources outstrips the ecological carrying capacity of the planet and, concurrently, societies are stratified into rich Elites and impoverished Masses. As the lead author of the study, Safa Motesharri  makes clear, our civilization is doomed by either this collapse of the natural world and the resources it provides or a societal collapse engendered by the over-consumption of the Elites and the inequality-induced famine of the Masses or, most likely, a perfect storm of both.

What is striking about the report is that mathematical models suggest collapse is imminent, perhaps within the next fifteen years - which leaves me with the thought: Never mind the drought – Feel the impending civilizational collapse. Pay attention. Time and Place have assumed a profound, dystopian resonance.

Wild Thing

"It’s the question every writer faces, every morning of his or her life: Am I Malcom Gladwell today, or am I Arthur Rimbaud? Do I sit down with my pumpkin latte and start Googling, or do I fire a couple of shots into the ceiling and then stick my head into a bucket of absinthe?”

This is James Parker’s opening shot (so to speak) in a brief essay on literary bad boys (in honor of William S. Burroughs who was born one hundred years ago this year) in Bookends, The New York Times, February 23, 2014. If I define my personal choice of literary persona, faced by a blank lap-top screen (most often in the evening), along the continuum of milquetoast to bad-boy, then I clearly plump for the lily-livered end of the spectrum. The closest I have come to absinthe is its rather more civilized relative, Pernod, and my experience with fire arms ended in my adolescence with a few half-hearted shots at wood pigeons with a four-ten shotgun and several target rounds with a .303 World War II vintage bolt-action rifle. I have rarely lived my urban life on the wild side. But now, at the edge of the wildland, albeit comfortably ensconced in a modern house, I feel when I broach the keyboard, not only reverberations of the wilderness from without but also stirrings within: atavistic echoes of the primal.

This evening, retreating to the warm embrace of said modern house (which has mild pretensions, in its shape, simplicity and continuous ridged interior volume to being a barn) I brought with me, from my walk up Koenigstein, a frisson of the elemental spritzing my otherwise over-civilized and complacent brain.

A massive wall of marine layer stood on the western horizon, pierced only by the peaks of the Nordhoff range, behind which the sun slipped, its day’s work done well before its scheduled close. Quiffs of cloud scrolled slowly along the Sulphur Mountain ridge, while to the north thin whisps of fog appeared from the east, scribbling over the Topatopa bluffs. I watched the sun sink into its grey blanket while leaning against the south facing side of a riven sandstone rock, my feet against the opposing face of the cleft. From this position of repose, at a little over 2000 feet, there is a commanding view of the upper valley clear to Black Mountain. Walking back through dry grasslands and dead sage, dehydrated coyote brush and over bare earth through which even the redoubtable erodium has failed, thus far, to emerge, I was keenly aware of a change in the weather: an end, at least temporarily, of perhaps the worst Southern California drought in 200 hundred years. By the time this piece posts, we will have experienced the impact of what Wunderground describes thus: “Huge Gulf of Alaska low covering about 4.4 million square miles of the eastern Pacific will bring rain to the area today through Sunday”.

The storm duly lived up to its advance billing and dumped over seven inches of rain on Upper Ojai. The hills resounded with the rush and gurgle of streams: the chaparral came alive. Beneath each rocky fall in each seasonal stream I came across - when I ventured abroad in the lulls between storms - there were clouds of suds as though the rain had awoken the Naiads and each of them, in some sort of crazy mass psychosis, had decided to partake of a bubble bath (Nymphs and Naiads). A more prosaic explanation is that in the three long years since the last major rain, saponins from soap plant roots (Liliacaea Cholorogalum pomeridianum) had leached into the soil and were released, in a foaming frenzy, by the torrents.

The chaparral came alive, but did I? Was this an occasion when the stirrings of the primal were manifested, signaling a revival of my wild self? Was this an Arthur Rimbaud moment? Alas, dear reader, I found myself, on returning to the barn, with a deep yearning for a cup of Yorkshire Tea and a strong compunction to check, on-line, the Ventura County Watershed rainfall totals. In other words, I exhibited, not transformation, but a customary, persnickety frame-of-mind not altogether distant, I suspect, from that of the googling, pumpkin latte loving Malcolm Gladwell.

The wild weekend storm of the 2013-2014 rainfall season was also, by chance, the moment when I finished Feral, George Monbiot’s new book. It is a call to action: for planetary and personal re-wilding. Monbiot is a sometimes inspiring commentator and blogger for The Guardian although he is also, controversially, a proponent of nuclear power (like James Lovelock, the gadfly scientist who established the Gaia hypothesis), a position, post Fukushima, which I believe to be totally, irrevocably, untenable.

In Feral, he calls for the re-introduction of wolves, beavers, lynx and bison into the British countryside in order to initiate ‘trophic cascades’ by which top-predators, by culling their prey, limit the abundance at every level of the food chain and balance the entire ecosystem. The re-introduction of wolves into Yellowstone has demonstrated this remarkable phenomenon; by reducing the elk population the river and streams, absent over-browsing at their banks, now support a richer plant community which in turn supports a richer variety of fish, insects, reptiles and mammals.

Monbiot is an effective popularizer but he is very late to this particular party. In Rewilding and Biodiversity: Complementary Goals for Continental Conservation, Wild Earth, Fall 1998, Michael Soule and Reed Noss make a succinct case for the reintroduction of the entire set of pre-Columbian carnivores – bears, mountain lions and wolves - throughout the North American wilderness, contending that rewilding is “simply scientific realism, assuming the goal is to insure the long term integrity of the land community”.

There have been two catastrophic extirpations of native fauna on this continent. Human kind is deeply implicated in both. The first occurred over about two thousand years, starting around 12,000 years ago: the great Ice Age herds of megafauna vanished at the hands of Asian big-game hunters (the Clovis people) newly arrived in the Americas – in an egregious over-hunting of the energy resource that fueled their exploration of the continent.

As Soule and Noss point out, contemporary ecosystems remain profoundly altered by this extinction episode and beginning in the eighteenth century and continuing up to the present time, a second wave of killings precipitated the drastic decline of the continent’s mesofauna – the senseless killing of grizzlies, mountain lions, antelope, big-horn sheep and cougars. It is the loss of these keystone creatures that has led to a further biotic simplification and species loss in the American wilderness. At about the same time, another non-renewable energy source, fossil fuels, was being extracted from the earth with little concern for the environmental degradation it caused - so critical was this resource to the development of the modern world.

Now, such impacts have been exacerbated by the global triumph of corporate-driven consumerism, NAFTA, continued over-grazing, tree plantations and population growth. The wildlands are under siege. Rewilding offers a short-cut to a re-imagining of wilderness. While Monbiot bleats about the destructive impact of sheep on the uplands of Britain – territory he considers to be ‘sheepwrecked’ – Soule and Noss are equally emphatic in their belief that the American wilderness “will not recover from past and present insults and mismanagement unless its bears, cougars and wolves return”.

A few weekends ago I visited the California Oil museum in Santa Paula (A Tale of Two Cities) which was featuring a special exhibition, ‘Prehistoric California’ where the skulls of mega fauna such as the saber tooth cat, dire wolf, a prehistoric camel, a horse and ground sloth were on display. Greeting visitors, as they entered the gallery, was a life-size, life-like replica of a saber tooth cat on loan from the Page Museum (Bobcat Magic). This was one truly scary moggie (Brit-coinage for a domestic cat), a wild thing hunted to extinction for its meat, fur and saber teeth – variously used as ornaments, weapons or digging tools. Alive, it ripped and tore its prey with a staggering sanguinity, a bloody-minded top-predator that was a vital motor in maintaining the complexity of its ecosystem.

It is remote and miniaturized descendents of the murderous crew of Pleistocene marauders that biologists understand to be essential for the maintenance of our wildlands. We are fortunate that mountain lion, coyote and bear still roam the lowlands of the Santa Ynez Mountains. But the chaparral lacks the grizzly, the last California variant of which was shot in 1922 (in Tulare County) and it is the re-introduction of this bullocking giant of the chamise pampas (or, at least its northern cousin) that would truly energize the plant and animal community.

The grizzly would open up the chaparral up to its trails – for it is the only animal capable of bending the schlerophytic natives to its will. Its presence would spark a re-imagining of our place in the world, banish our complacency, encourage humility and ultimately move us all a little closer to an engagement with our wild selves. It is a thrilling thought: it makes my heart sing.

A Tale of Two Cities

We moved to Ojai a little more than five years ago. Now settled on a south facing slope of the Topatopa foothills our home is a part of the scattering of houses along Koenigstein in Upper Ojai. The road turns off the 150 almost exactly halfway between the downtowns of Santa Paula and Ojai. Although the mail is delivered by the Santa Paula Post Office, we are a part of unincorporated Ventura County that is officially known as Upper Ojai.

We have existed in geographic confusion before. In Santa Monica Canyon, where we lived for almost twenty years prior to moving north, we paid our property taxes to Los Angeles and the kids went to the local LAUSD grade school, but our mail was delivered by the Santa Monica Post Office and thus we had a Santa Monica address.

In L.A. we lived, topographically, in an ancient river bottom a few blocks from the beach. In the winter of 1938-1939 a great flood swept through the Canyon creating a wide brown river where once the road and the creek had been. The following year, the WPA created a concrete channel to carry the creek which ran alongside the road or, where the road was bifurcated, right down the middle of the thoroughfare. As a consequence of the flood, a switch in mail delivery from Los Angeles (Brentwood Post Office) to Santa Monica Post Office was organized and has remained in effect ever since.

Here, we live on the cusp of another watery divide: at the edge of Ventura’s two primary watersheds. (Koenigstein falls just to the Santa Clara River, rather than the Ventura River side of the divide). Thus it is that we drop downhill in both directions, some 1200 feet (and eight miles) to Ojai and 1500 feet (and eight miles) to Santa Paula. Despite the fact that Santa Paula enjoys a moderate climate, benefiting from ocean breezes that blow inland along the course of the Santa Clara River, it is, to all appearances, a less prosperous City than the much smaller enclave of Ojai, which suffers extremes of heat and cold. At the same time, there is a discernible class divide which I have discussed previously in Tsunami.

Ojai possesses many of the characteristics that Christopher Isherwood discerned in post-war Santa Monica Canyon,

“It is a shallow flat-bottomed little valley, crowded with cottages of self-consciously rustic design, where cranky, kindly people live and tolerate each other’s mild and often charming eccentricities. The Canyon is our western Greenwich village, overrun now by various types of outsiders, but still maintaining an atmosphere of Bohemianism and unpretentious artiness.”

Santa Paula has a slightly seedy main street with a number of empty storefronts; in surrounding streets are the often shabby Queen Anne houses, craftsman bungalows and period revival cottages that evidence a formerly wealthy community - from the 1890’s through to the beginning of the Depression in 1929, the town grew rich from the oil and citrus industries. Amongst the commercial and civic relics of a long ago economy are two fine neo-classical bank buildings; the 1923 Mediterranean style Limoneira building (now the Santa Paula Art Museum); the 1905 Odd fellows building with its recently restored copper clad clock tower; the shingle-style Women’s Club from 1917 (now the Santa Paula Theater Center); the 1910 craftsman-style Glen Tavern Hotel; the work of local architect Roy C. Wilson in a variety of early twentieth century styles and, perhaps the best known, the bizarrely eclectic Union Oil building on the corner of Main and 10th street.

Despite a brief flourish of store-front face-lifts in the 1950’s, development moved on, in the second half of the twentieth century, to the coastal conurbation of Camarillo, Oxnard and Ventura. Santa Paula now has a population that is 80% Latino (many of whose members work in local agriculture) and a built-environment locked into a small-town dream-time of late nineteenth and early twentieth century buildings with occasional grace notes of post war ebullience and a great deal of forlorn dereliction. The town, although popular with nostalgia fetishists, under-serves its population’s natural desire to live somewhere adjacent to the twenty-first century. Those aspirations can be fully realized at The Collection, via the 126 and the 101, a newly built urban-consumer fantasy now playing in Oxnard at the west end of a recent developer community, Riverpark – leaving Santa Paula as a dormitory exurb with a scattering of local services, a K-mart, a Vons, Tresierras, a supermarket specializing in Mexican and Central American foods, a furniture store, dress shops and two western wear stores (Muwu). It is all quite charming to fans of the Gothic - of small town America moldering in its grave.

This morning the full moon set behind a notch in the Nordhoff ridge surrounded by a bright, pink streaked halo and, as I crested the eastern ridge of Sisar canyon, in the middle distance, the lights of Ojai twinkled in the early dawn. Our lives are Ojai-centric, we are beguiled by Pixies, the Post Office tower and the sheen of prosperity, but back over our shoulders looms Santa Paula peak, and down the hill and east towards the Santa Clara River lies a town with real architectural gravitas and a very significant history in the economic development of the region.

Nordhoff developed as a small rural town in the late nineteenth century. Amidst the jingoism of the First World War it was renamed. Here was a missed branding opportunity: Nod-Off would have fully encapsulated the character of the sleepy town and recycled 75% of the original name. Instead, the moniker of an Indian village in the happy-hunting-grounds of the Upper Valley was purloined with who knows what long-term deleterious psychic consequences. In 1917, the newly christened and formerly shabby western town was made glamorous by the addition of an arcade financed by a mid-western industrialist besotted by the Romance of the Ranchos (Through a Glass, Darkly). Reborn as Ojai, it was, and is, a Potemkin village – the arcade a stick, chicken wire and stucco stage set - the town dressed to appeal to wealthy bohemians from Hollywood. From the beginning it affected an ‘unpretentious artiness’ and was considered, by virtue of its stunning natural setting, a place of spiritual resonance.

Across the street, in an echo of the arcade, there is a re-built pergola which replicates Richard Requa’s original design (bombed in 1967 in the so-called Ojai Hippie Riots and subsequently demolished). Completed in 1999, it partially barricades Libbey Park from the pedestrian and vehicular experience and leaves the park a wasteland frequented by addled teens and their drug-dealers. Thanks to Landscape Architect Kathy Nolan, the park is being naturalized at its edges and may one day approach the quality of the smaller Cluff Park at the western end of downtown. Meanwhile, it continues to be burdened with David Bury’s heavy handed rendition in steel and concrete (2010) of everybody’s favorite funky wooden band shell, home to Ojai’s signature cultural event, the eponymous music festival, whose spirit is now threatened by this ponderous and acoustically mediocre venue.

Ojai gets by on its charm, characterized by an insouciant raffishness that belies its impoverished downtown building stock. Santa Paula enshrines its past in its excellent Oil museum, Agriculture museum and its Art museum while its history lives - on its streets of architecturally significant commercial, civic and residential buildings. Tourism is the life blood of Ojai; in Santa Paula, not so much, although ironically it has a great deal more to offer.

Both towns emerged little more than a quarter of a century after the establishment of the 31st State, but have followed vastly different narrative arcs. I find it impossible to believe that this tale of two cities ends with Latino gangs roaming the streets of Santa Paula and wealthy Anglo-septuagenarians trolling Ojai’s arcade: the rediscovery and rejuvenation of Santa Paula is now being hatched by twenty-somethings in Silver Lake and other hipster colonies in Venice and the eastern suburbs of Los Angeles.

When that happens – watch out Ojai!

California Spring

For the last half century, I have pictured David Hockney with a schoolboy cap, owlish wire-frame spectacles, skinny, horizontally striped tie, a shock of blond hair and a cigarette drooping from his lips - the perennial bad-boy of British art.

A few weekends ago, in San Francisco, that image was finally retired and the artist, now in his seventies (and I not much more than a decade behind him), established himself in my consciousness not as a caricature but as a great painter of place. It’s not that he hasn’t been painting place all along but in his new show, A Bigger Exhibition, he is willing to demonstrate a level of profundity that he has often preferred to hide. During all those years in Los Angeles (he arrived in 1964, already a star) – a place that has never rewarded depth, except, perhaps, in its swimming pools – he painted surface; then he created the fractured desert polaroids that were so easy to love; but in the late 1990’s he moved to Yorkshire to be close to his ailing parents and he attacked (there’s really no other word for it) the landscapes of his youth. He held them hostage through the seasons, imprisoned them in photographs and video and then made them immortal through the epic scale of his paintings.

At the de Young, all was revealed. His practice, his passion and, ultimately the visual qualities of a very particular environment: the rolling farmland and woods of the East Yorkshire wolds. There were riotous examinations of how we receive images in glorious Technicolor but that the brain most often interprets in sfumato – colors toned down into a smoky medley of sage greens, washed out blues and soupy taupes. Hockney refuses to back off the loud pedal, he forces us to admit that yes, that muddy puddle really is magenta. This is the north of England, in winter, spring, summer and fall, every season rendered in splashy colors and frenetic line and with an urgency that is evident in every brush stroke. That urgency arises from a need to reflect what he sees, not as an idea, but as an image: in turn, we begin to see with him, in thrilling sympathy with his zealous eye and, ultimately, with his honesty as a painter.

The show, barely contained in some ten large galleries, was staged on the ground floor of the De Young, a typically bravura exercise by Herzog and de Meuron, Swiss architects who cloak their only slightly punk modernism with gloriously tactile materials: here embossed copper panels for the low-slung galleries and perforated copper sheets that drape the twisted tower, at one corner of the site, which houses the administration offices and an observation platform. Their 2010 building replaces a bizarre Egyptoid beaux-arts building thankfully felled in the 1989 Loma Prieta earthquake.

Across the way from the de Young is another architectural entertainment, the Renzo Piano Academy of Sciences, an overtly green building that extends from the surviving limestone wing of the old 1934 building (similarly dealt a death blow in 1989). Retaining the symmetry of the older building, the new is neo-classical modern, with slender steel columns which support an extended canopy shading the inner building in a peristyle. Piano’s new trick is to lay photo voltaics atop the translucent canopy. The body of the building is green roofed in a series of domes studded with occuli sky-lights. The roof, best seen from the upper floors of the de Young, seems to mimic the adjacent mounding land forms, which are heavily treed and vegetated sand dunes.

To learn that Golden Gate Park is an elaborate horticultural confection layered on drifting dunes was disappointing: predictably, I shed a tear for the now forever lost, bleak and wind-blown landscape of yore. By 1880,155,000 trees covered the dunes in typical late-Victorian excess, fashioned, in what we now consider a wrong-headed eclecticism, out of (mostly) California pines and Australian eucalypts. Lorrie noted that this greening of the dunes made it more accessible to the adjacent huddled masses. I was willing to admit that the dunes were probably doomed given the growth of the City and that misguided horticultural adventurism might possibly be preferable to their commercial development.

Back in the de Young, in their permanent American collection, there are a number of mid to late nineteenth century paintings by Albert Bierstadt, 1830–1902, one of those Hudson River School artists who was enthralled with the exoticism of Yosemite and the giant redwoods of California and came west to paint them. Among his paintings on display is California Spring, which portrays a pastoral scene of cows grazing in a field contrasted with an approaching thunderstorm over the Sacramento River valley. This late period Bierstadt is inferior to much of his earlier Yosemite works, less interesting than his giant redwood paintings and less iconic than his heart-rending late painting, The Last of the Buffalo, from 1888, a study for which is also on display at the de Young.

The Spring image is of a tamed landscape - a pastoral that proclaims its domesticity (hence the latter-day aurochs). Yet it is phenomenally popular and prints of the work, now in the public-domain, or hand-painted knock-offs, can be purchased in the size of your choice. Bierstadt’s earlier paintings of the Sierras celebrated the mystical power of wilderness: they were much favored by critics and the public who, at some level, understood that these paintings served the mythic pretensions of the young Republic.

Roderick Nash in his seminal work, Wilderness and the American Mind, 2001, makes the point that wilderness was a basic ingredient of American culture in the nineteenth century. In contrast, Bierstadts’s pastoral idyll, painted at a time in his career when he had fallen from favor, now sounds a ghastly pre-echo of Thomas Kinkade, the self-proclaimed ‘Painter of Light’ whose work became a mass-market cultural cliché in the late twentieth century.

Hockney’s Yorkshire Wold paintings, his iPad series of The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) and the 25 drawings in his charcoal series, The Arrival of Spring in 2013 (twenty thirteen) describe a landscape deeply familiar to him: one shaped by the human hand since the New Stone Age; farmed by Britons through the Iron and Bronze ages, the area then further deforested by the Romans and settled in succession by Saxons, Danes and Normans. Its fertile chalk soils are now subject to some of Europe’s most intense farming. Hockney found, through the seasons (but especially in spring), in the copses, rolling hills and farm tracks of his boyhood a subject for his relentlessly questing eye. Ironically, his iPad drawings of Yosemite which were included in this vast exhibit, and ink-jet printed to a staggering 12’ x 9’, are supremely decorative, but entirely lacking in gravitas.

I am cautiously celebrating the California spring: despite the lack of substantial rain, the season is well underway in the chaparral. Locally, soap plant, wild cucumber, blue-eyed grass, deer weed, peonies, purple nightshade (solanum xanti), goosefoot, vinegar weed, morning glory and erodium (the infidel of the group) are all poking their heads out of the dry ground. Elderberry and chaparral currant are flowering; sycamores and walnuts are leafing out.

Although several oaks have died on the property and, across the way on the north-facing slopes of Sulphur Mountain, many more are now shrouded in canopies of dead leaves, the overall resilience of the schlerophytic natives is phenomenal. Many of the trees are deep rooted and as I walk over the dusty land I imagine the aquifers beneath flowing sluggishly in porous rock or, more often, in slurries of yellow and black sands, nourishing the feeder roots of sycamore, oak, laurel sumac, holly leafed cherry, toyon, walnut, mountain mahogany and ceanothus.

Hockney is now back in Los Angeles, living in the Hollywood Hills. Beguiled for so many years by the exoticism of Los Angeles, fascinated by its faux irrigated landscapes and amoeboid pools, perhaps now, in his new maturity, he will finally discover the chaparral spring as fit subject for his scintillating, late-period landscape painting.

Pale Creatures

Sleeping alone on a 90 foot fishing boat, moored just off the Costa Rican Pacific coast, Dr. Lori Pye was woken by a dull thud. Getting out of her bunk to investigate, she stumbled on deck and bashed her head against a davit supporting the little motor boat which kept her connected to the mainland. Knocked unconscious, she lay where she had fallen, quite still, until dawn when she became aware that next to her on the cold steel plate was another pale creature: a dead shark, wantonly fished from the ocean, its fins sawed off, and then dumped on deck.

Lori worked with the environmental-action group, Sea Shepherd, when this Godfather-like threat was delivered, presumably by a local poacher enraged by Lori’s work dedicated to the eradication of shark fishing – an activity pursued solely for the profit in preparing the luxury delicacy of shark-fin soup, largely controlled by the Taiwanese. Sea Shepherd subsequently endured an un-happy relationship with the Costa Rican authorities after their intrepid leader, Paul Watson, prematurely attempted the arrest of a long-line shark fishing vessel, the Vadero I, off of Guatemala before taking up Costa Rica’s invitation to help patrol the waters around the Cocos Islands World Heritage site. Watson was arrested when he docked in Puntarenas and charged with endangering the lives of the Vadero I crew. Watson and crew managed to flee the next morning but he has been under indictment ever since and last year was briefly extradited back to Costa Rica to face these decade-old charges.

Lori’s story unfolded in the Administrative offices of the Ojai Valley Land Conservancy in a Wild about Ojai talk titled, The Human Ecosystem (January 11, 2014).

Twinned, for a few hours, with a mammal whose consciousness had been brutally ended in asphyxiation while hers had been merely suspended, Lori awoke to an epiphany: that we share our home, the earth, with all other living things in a complex ecosystem that relies, because of human kind’s great ability to do damage to that home and the life-forms within it, on ours species’ collective psychological health - on our understanding of the balance, stewardship and comity required to maintain a healthful relationship with our environment. The well-being of the individual’s psyche can thus be the key to ensuring the outer, physical, health of the planet. After briefly becoming Sea Shepherd’s Director of Operations Lori retreated to the calmer waters of academia to pursue her passion for Ecopsychology, the discipline that addresses these concerns.

 Lori challenged her audience to consider how we might create, as she puts it, “a new narrative for the relationships between nature and human nature”. There are serious structural obstacles in the way of developing such a revised narrative. The foremost barrier to lives lived on the planet in a sustainable relationship - and there are many - is a collective psychological pathology, the transcendent ideology of Capitalism.

This system is entirely dependent on turning natural resources into saleable goods and at this point, as Jerry Mander argues in The Capitalism Papers, Counterpoint Press, 2012, we are engaged in a kind of global, system wide Ponzi-scheme. The collapse of our macro-environmental systems such as the oceans, the atmosphere, rivers and the climate, at least as we know them, seems inevitable faced with the resource pillage necessary to feed the beast, for Capitalism demands not a steady resource diet but one that grows with the expansion of goods and services (the measure of GDP) necessary to ensure ‘the health’ of our economy.

As I pointed out in No Soft Landing, the development of Capitalism as a dominant economic force in the West is coincident with the discovery and exploitation of fossil fuels. As such it has thrived over the past three centuries when these resources were plentiful and cheap. Given the finite nature of the world’s mineral resources it is self evident that a system for which growth is imperative will, sooner or later bump up against these limits. Put another way, Capitalism demands the conversion of the living into the dead. Animals, plants, minerals, sunlight and fossilized solar energy are appropriated by the economy at a scale that threatens the very viability of the ecosystem.

The Capitalist bastions are manned by the super-rich. With the possible exception of the Robber Barons of the Gilded Age in late nineteenth century America, we have not seen such concentrations of power and wealth as exist today since the European monarchies of the eighteenth century - the excesses of which unleashed a democracy project that continues to unfold. That project, most notably in the United States, has now been captured by the Capitalist oligarchy, through political contributions and lobbying, and subverted to wealth accumulation and the cooption of the public commons to its own ends. Our government now routinely arranges for Corporations and their leaders to escape taxation, receive Government hand-outs and profit obscenely from health care, defense, communications and public works while belt-tightening in the areas of entitlements, education, social services and basic infrastructure is focused exclusively on the 99%.

We are thus faced with a system that is entrenched both economically and politically and supremely adept at the co-option of potentially threatening ideologies such as living in a sustainable relationship with the Earth. In the West, the development of newspapers in the latter half of the nineteenth century enabled the rich to quickly regain control of the recently enfranchised (male) masses. The ability to shape the debate around issues of war and peace remains with the media - still mostly owned by the oligarchy, and still supported, by and large, by purveyors of consumption, advertisers of goods and services blindly driven to an expansion of their markets - and is key to the demagogic control of the public-mind.

Eco-warriors such as Paul Watson operate entirely at the margins or worse, provide fodder for the media industry that perpetuates heedless consumption. Watson’s Whale Wars is into its sixth season on Animal Planet Cable TV which, as VP of ad sales Sharon O’Sullivan gushes to Adweek, November 18, 2013,

“… had all the pet endemics and all the major female packaged-good companies…now we have a really strong proposition against male categories—alcohol, home improvement and the more male-focused end of the movies category.”

Mander, like Naomi Klein (No Soft Landing), believes in a kind of Eco-socialism where corporations would be reconstituted “to harvest private interests to serve the public interest, rather than seek profit”. Perhaps he should try selling that idea on Animal Planet, right between the ads for Gillette’s Venus Embrace Women's Razor and Bud Light.

The history of systemic and radical societal change over the last few hundred years is not pretty, beginning in the late eighteenth century with the French Revolution and moving to the nineteenth to include that first foray into modern industrial warfare, the American Civil War; the twentieth century then offers up the grisly examples of Stalin, Hitler, Mao and Pol Pot, to name only the most egregious actors in the effort to create new social, economic and political paradigms.

The restructuring necessary to accommodate a fundamentally altered relationship between humanity and nature will dwarf all previous efforts at systemic change. Interior psychological remodeling seems like a very attractive alternative but the ‘new narrative’ must necessarily wait on the unraveling of Capitalism. The resolution, for now, may be to initiate a slow, peaceful, pulling of threads.